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Here are more than 100 previously unseen photos of Led Zeppelin performing at Knebworth Festival in 1979 – Led Zeppelin News (ledzepnews.com)

TBL Archive Special 3:

It was 30 years ago…October 1994 and the release of the Unledded album –  here’s the TBL review of the Unledded album.

THE ALBUM:

NO QUARTER – JIMMY PAGE AND ROBERT PLANT UNLEDDED (Fontana 526 362 2)

No Quarter (the Unledded tag has been somewhat played down in the packaging) is a lengthy, 14-track CD clocking in at over 79 minutes – a mere three minutes less than Physical Graffitti. The actual sleeve design I find disappointing. A low key shot from Corris Slate that offers a rather windswept portrait of the ageing dynamic duo. The CD booklet itself is sparse on detail and the discographer in me again bemoans the lack of sleeve notes. If ever an album’s evolution was worth explaining then it was this one. It strikes me that the official press release notes produced for the MTV premieres would have fitted in very well here. An enigmatic photo of a bizarrely painted hand maintains the mystery of sleeve images of old. The nod to the original credit for Bron Y Aur (they’ve reverted to that spelling again) first deployed on the Led Zep III inner sleeve is a nice touch and one that vividly illustrates (as I’d hoped when I undertook The Making Of Led Zeppelin III feature back in the early summer) their allegiance to the original unplugged concept from 24 years back.

The sequencing differs from the MTV broadcast, skitting around from Wales, London and Morocco rather haphazardly. I would have preferred to see it retain the more cohesive flow of the film with all the Moroccan tracks particularly in one block.

From Morocco, ‘Yallah’ retains plenty of atmosphere enhanced with an echoed spoken intro and a very live-in-the-marketplace feel. ‘Wah Wah’ has a quaint charm but does lose some of its impact when stripped of the visual scope of the film, while the previously unused ‘City Don’t Cry’ emerges as a plaintive croon with a strong Gnaoua presence. While these excursions are admirably executed and remain a worthy record of their travels, the latter two songs do come over as a little too ethnic to broaden their appeal with repeated plays. ‘Wonderful One’ is still… well… wonderful. No other word for it. This version is an alternate recording from that which appeared in the film with Robert committing an affectingly sensitive vocal over Jimmy’s equally sensitive strumming.

From the mountains, ‘No Quarter’ fascinates with its phased reverb and modal tunings while ‘Nobody’s Fault But Mine’ stomps and grinds to a knockabout climax (listen carefully for the off mike “Thank you very much”- comment at the end). I’d love to hear ‘Levee Breaks’ and ‘Gallows’ from the same session and hopefully along the way we will. From London there are some truly outstanding moments: ‘Thank You’ delights in its sheer familiarity, ‘Friends’ via its dramatic intro, ‘Since I’ve Been Loving You’ as a classic blow and ‘The Battle Of Evermore’ with its ethereal feel and Najma’s searing vocal

That leaves the final four numbers: ‘That’s The Way’, ‘Gallows Pole’, ‘Four Sticks’ and ‘Kashmir’. Here the sequencing is really spot on as one classic dovetails magnificentiy into another. This pan of the album really does capture the excitement so evident on screen. And as a bonus ‘That’s The Way’ appears as the previously unheard treat. Led by Jimmy’s swaying Ovation double neck, Robert offers an evocative trip through the memory bank in an arrangement enhanced by Michael Lee’s subtle drum pan and Porl’s lilting banjo. It’s a performance that again reflects Page’s ‘same picture within a different frame’ ethic.

The travelogue nature of proceedings on the No Quarter CD may skip uncomfortably across the continents at times but the journey is ultimately a fulfilling one. I find myself treating it like a favourite radio station – dipping in and out with repeated pleasure every time. Because here on Radio Unledded via the World Service you’re never too tar away from a solid gold classic.

Dave Lewis, October 1994 – first published in TBL issue 10

As mentioned above, Wednesday’s A Life In Music Jimmy Page event prompted the best UK gathering of Zep fans for many a year. The atmosphere in the hall and in the pub afterwards was just incredible.

I’ve mentioned before how working from home for me can be an isolating existence. It was therefore an absolute tonic to be amongst like-minded fans young and older during the evening. This is what the Tight But Loose remit has always been about – linking like-minded enthusiasts by way of the written and tangible word via the magazine, books and meets. On Wednesday, I talked long into the night to various lovely people about this thing we know is not just a band and of course the toast was Jimmy Page …the man who made it all happen and continues to enthral – as he did earlier that evening.

At the risk of missing off some names who said hi (apologies if I’ve missed you out!) it was great to see and speak to Paul Harper, Juliann Walker, Byron Lewis, Tom Cory, Richard Grubb, Andy Adams, Simon Pallet, Eddie Edwards, Dave Fox, Dave Linwood (the class of ’92 and 94!) , Andreas Stocker, Peter Chow, Kam Assi, Mick Bulow, Mike Lewis, Jonathan Taylor, Mark Harrison (pictured with me left), Cliff (the ticket man) Hilliard ,Michael Finegan, Anne Marsden, Jeremy Attwood,Catherine, Freda Hyatt, Annie, Robin Wealleans, Mark Winslade, John Gunne, Lee Simpson, the Italian contingent and Dimitrise Kazantzis from Athens and the TBL crew of course Gary, Tom and Dec.

It was also great to catch up with BBC producer Amanda Bruckshaw (who made the Jimmy talks about Stairway film) and Catherine Roylance and Bruce from Genesis Publications.

Another life affirming experience.

In London on Wednesday there was heart-warming tangible proof of the groundswell of goodwill towards what I and the TBL crew attempt to achieve in assisting the enjoyment of being a Led Zeppelin fan.

Thanks again to all who made it such a wonderful night.

DL – Oct 17th, 2014.  

Jimmy Page in Japan: 

Here’s an on the spot report from Jimmy’s Tokyo promotional appearances via TBL Japanese correspondent Takemi:

I was lucky enough to be able to attend three of Jimmy Page events held in Tokyo: the “meet & greet” event held on 9 October at Kinokuniya Book Store in Shinjuku (for the 200 limited buyers of his photo book that were able to get tickets for the event on a “first come, first served” basis), and the afternoon session (for the press) and the evening session (for the 200 members of the general public selected by Warner Japan) of “Led Zeppelin Listening Party ” held at the EX Theatre in Roppongi on 10 October.

At the “meet & greet” event, each of the 200 buyers of his photo book, including myself, was given a chance to say hello to Jimmy and shake hands with him for about 30 seconds. The event which started at 18:30 continued slightly more than for two hours.

First, a short video promoting the photo book and including a recent interview with Jimmy, was shown on the screen. Then, Jimmy showed up with a guy of Genesis Publication and a Japanese female interpreter.   The Genesis guy made a brief speech celebrating the publication of the photo book, and then Jimmy also made a brief statement, thanking the publisher for having closely worked with him to create the photo book.   Then, the “meet & greet” sessions started.

Since my ticket number was close to #200, I had to wait for nearly two hours, watching other buyers personally meet and greet with him.   However, I was not bored at all but was rather spending the waiting time in an enjoyable manner, especially because Jimmy kindly allowed us to take photos of him from our seats throughout the first one hour.   He was surprisingly generous at the event.

At last, my turn came to personally meet and greet with him. My heart was beating!  My conversations with him were as follows:

Takemi (T): Hello, Jimmy! Welcome back to Tokyo!  [Firmly shaking hands with him.]   I met you before.

Jimmy (J): Yeah, I KNOW YOU.

T: This is the photo I took with you then.

J: Yeah, I look a bit younger.

T: Yes, a little bit. It was several years ago…  I have brought a small present for you.  This is a (large-size) photo I took at O2.  My best shot!

J: Oh, thank you. [Carefully affixing the original “Zoso” symbol mark stamp to the photo book to be given to me.]

T: [Showing the back of the photo,] Here’s my message for you: “I have been loving you for 40 years!”  And here’s my name, too.

J: Okay. [Still working to affix the stamp to the photo book.]

T: You are the most beautiful guitarist in the world and my ultimate idol.

J: Okay, thank you so much.

T: I’m pleased to see you again. Thank YOU!

I was deeply impressed by the fact that Jimmy remembered my face! It showed that he truly has a great ability to memorize things. Despite his hard schedules preceding for that day, he continued to be friendly and smiley throughout the event.  I am sure that all the lucky attendees, including myself, spent one of the best days of their lives (and, certainly, mine)!

On the following day, Warner Japan held the “Led Zeppelin Listening Party” promoting the release of the remastered IV and V.

In the afternoon session held for the press, I took a seat in the middle of the front row. Introduced by a Japanese TV talent, Chris Peppler, Jimmy came up on stage briefly before the promotional presentation started.  Then, a sampler from the two companion discs was played loudly from the speakers for about 30 minutes while a visual slide presentation was shown on a large screen put up on stage.  I was especially impressed by the intro version of “The Song Remains The Same,” which included Jimmy’s guitar solos different from those in the final studio version.

Then, Jimmy showed up on stage again with Chris and a Japanese female interpreter. Thanks to the great seating, I was able to take a great number of close-up shots of Jimmy while he talked about the remastered versions, followed by a Q&A session with members of the audience.   It was a marvelous time for me, which continued about half an hour.

In the evening session held for the general public, Jimmy did not come up before the promotional presentation started. Only after the presentation finished, being introduced by Chris Peppler again, Jimmy first showed up by himself. He then allowed us to take photos of him with our smart phones, et al.  It was just for a few minutes this time. However, the attendees still got excited and pleased since they did not expect that they would be able to take any photos.  All of us invitees were required by the event organizer to put our smart phones and any other recording devices in an envelope kept by them, numbered for each of us, when we checked in at the venue.  Those devices were returned to us immediately before Jimmy showed up.  Accordingly, the purpose of the requirement turned out to strictly prohibit any recording of the promotional presentation.

Then, the same Japanese female interpreter appeared and a talk show started. This time, Jimmy did not take any question from the floor but rather answered several questions selected in advance out of those posed by the attending audience when they applied for the entry to the event.  Most interestingly,  Jimmy expressly declared that some time next year, he would return to Japan to play live with his new band!  I very much hope that he will be able to keep his words.

Many thanks Takemi for that report and photo (DL)

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My thoughts on the Jimmy Page by Jimmy Page book…

Jimmy Page by Jimmy Page: 50 years of visual magnificence…

It commences with a photo of the young Jimmy Page as a choir boy with the caption ‘’It might get loud’’ and ends some 500 pages and 50 years later with a shot of the elder wistful guitarist with the caption ‘’It might get louder…’’

In between there’s what can only be described as a simply remarkable pictorial autobiography or as Jimmy modestly puts it ‘’A visual documentary to reflect my contribution to music’’. And what a contribution it has been. The book successfully chronicles every step of Jimmy’s remarkable journey with artful intelligence throughout..

Previously available as a super deluxe high value edition that sold out on pre orders alone, Genesis Publications have now published a much welcomed considerably less budget breaking ‘Open Edition’. Back in 2010, the intensely private Page opened his own archives and with help from consultant editor renowned rock photographer Ross Halfin, searched out countless images, many of them unseen and then oversaw the development process of the book from beginning to end.

Rather than go down the rock star autobiography route of Ronnie Wood, Clapton and Keith Richard , Jimmy has let the photos do the talking. It’s a wise move as thereis little to add to the already overwrought sex drugs and groupies tales that have graced a fair few unauthorized Zep books.

The early pre Zep years yield some astonishing period photos from his early days beginning with Red E Lewis & The Redcaps. As Jimmy explains early on in the book, when the Page family moved to Epsom in Surrey a guitar had been left in the house by a previous owner. ‘’One day a guy at school called Rod Wyatt was playing and singing a Lonnie Donegan song. ‘’I have a guitar at home’’ I told him and he said ‘’Well bring it to school and Ill show you how to tune it and play a few chords’’

The adventure had begun. Jimmy began playing in local bands such as The Paramounts. It was while supporting Red E Lewis and The Redcaps in Epsom that Jimmy was spotted by their manager Chris Tidmarsh. Fronted by Billy Stubbs who called himself Red E. Lewis, they were a semi professional rock’n’roll outfit from North London. Tidmarsh asked Jimmy to join the band when their guitarist Johnny Oates quit. He had to get the permission of Page’s parents as he was still at school and initially could only work with the band at weekends. Later Tidmarsh decided to try his hand at singing and changed his name to Neil Christian and Jimmy would go on to join his back band The Crusaders.

Alongside his spell with Neil Christian & the Crusaders, Jimmy also did some work backing beat poet Royston Ellis. He also enrolled at Sutton art collage but kept up his guitar interest jamming in the London area clubs. While jamming at London’s Marquee club Page and invited to play on sessions. One of the first records he contributed to was Diamonds by Jet Harris & Tony Meehan. Coincidentally their backing band featured John Baldwin, a young bassist who Page would become more associated with when he changed his name to John Paul Jones. Very quickly Page established a reputation as one of the most sought after session guitarists and he appeared on countless records of the era. The Who, The Kinks, The Rolling Stones, Lulu, Donovan, Petula Clark, Kathy Kirby, Dusty Springfield, Joe Cocker, Dave Berry, The pretty Things, Them Tom Jones, Everly Brothers, Al Stewart, and David Bowie being just a handful of his many clients.

There are some remarkable photos in the book from that period including Jimmy using the violin bow on a 1966 session working with Brian Jones on the A Degree of Murder soundtrack, and playing the Danelectro guitar on a Decca session for arranger Mike Leander. Eventually he found the session scene stifling and in June 1966 Page joined The Yardbirds, initially replacing Paul Samwell Smith on bass. There was a short lived spell as dual guitarist with Jeff Beck but after Beck quit, Page became the driving force of the band. Though The Yardbirds hits dried up, as a live act they broke onto the US psychedelic scene that would later embrace Zeppelin.

This era is documented by amongst others some striking colour shots from an August 1966 appearance in Santa Barbara, rare photos with Jeff Beck and Any Warhol and an impressive backstage and rehearsal sequence from their last TV appearance in Paris.

From then of course, it’s full on Led Zeppelin. The 289 pages devoted to a band that as he comments was ‘’A mix of acoustic, electric, rock, blues, avant-garde and experimental music performed with vision, improvisation, attitude and a bullet proof blueprint’’ has all bases covered. Highlights and there are just so many, include the historic Jorgen Angel black and white images of their first gig together in Denmark and some rare images from their initial Marquee club appearances taken in December 1968.

The entire 1969 coverage is just plain awe inspiring. From early dates at the Fillmore East and West and Three Images club Miami, Olympic Studio shots recording Led Zeppelin II , Newport Jazz Festival and Amsterdam Concertgebouw appearances through to superb photos of their Carnegie hall shows, this is a true visual record of a band conquering every audience they encountered – as it happened.

Then it’s on to the glory years: Colour fish eye lens photos from the Bron-Yr -Aur cottage, quite stunning behind the band shots of them on stage at Bath, plenty of shots from the Back to the clubs ’71 tour and the nights of Electric Magic, Eddie Kramer’s out in the garden Headley Grange shoot, and then the audiences get bigger. Kooyong Staduim Melbourne, Kezar Stadium San Francisco etc, guesting with Bad Company in 1974. Then we are into the madness and mania of being the biggest band on the planet. The 1975 US tour, bigger stages and bigger light shows, plenty of Earls Court images and then 1977 with Page at his most enigmatic -there’s a lovely shot of Page with Bonzo who has picked up Jonesy’s Alembic bass on stage at the Silverdome Pontiac. Finally to the last hurrah of Knebworth 1979 and Over Europe 1980 – it’s all here.

From this latter era a fair proportion of photos have appeared elsewhere though generally not in this quality or size. However Page has searched out plenty of rarely or previously unseen material –including a remarkable shot from1975 that will stop readers in their tracks. (Clue: It’s a group shot taken in the fall)

Beyond Zeppelin, the book does an admirable job in bringing some pictorial cohesion to the twists and turns Jimmy experienced in trying to carve a life after Zep. There are some great shots from the Arms tour (including one literally on the plane in LA), a lovely Cambridge Festival with Roy Harper spread, and a good sprinkling of Firm and Outrider era shots. Then it moves on through Coverdale Page to the Page & Plant Unledded and Clarksdale tours. Page’s brief liaison with The Black Crowes in 1999 makes way for the finale where the Led Zeppelin 02 Reunion provides the suitable happy ending alongside some fantastic images of Page and Leona Lewis bringing the Beijing Olympic Games to a close in 2008.

Some additional neat touches: There’s a complete ongoing detailed tour itinerary running from the Yardbirds era through Zeppelin and post Zep chronicling every Page performance from 1966 to the present. Various programmes and posters from the Zep era are also reproduced alongside passport photos and visa stamps documenting the many on the road journeys made. Page’s own annotations and comments are overall illuminating, particularly in the early days though they are spasmodically spread and sometimes short on description.

The new edition also brings things up to date with photos from the Kennedy Honours award ceremony in December 2012 and Jimmy’s Honorary Doctorate from Berkeley Collage earlier this year.

The final photo in the book depicting a recent shot of the wistful looking Page is accompanied by the caption ‘’It Might Get louder’’. Indication that this story is far from over – given the recent comments Jimmy has made in declaring his desire to be seen to be playing again .

Summary: This is no mere coffee table volume quickly scanned to be forgotten and left to languish on the bookshelf.

Jimmy Page By Jimmy Page is a living breathing testament to the man’s greatness – to be viewed time and time again against the appropriate soundtrack. I for one will have great fun selecting a Page packed playlist from all quarters of his catalogue to play as I read and re-read the book’s historical content.

This welcome now widely available edition, offers the opportunity for every self-respecting Jimmy Page fan to be enthralled by the contents and presentation. It captures the visual magnificence of a guitar legend who continues to command a loyalty and respect unrivalled amongst his peers . Jimmy Page By Jimmy Page vividly illustrates how he has earned that status – and as such it’s an indispensable work.

Dave Lewis –  October 13th, 2014.

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National Album Day – Saturday October 14 2024: 

National Album Day returns for its seventh year on October 19th 2024, and this time the theme is ‘Great British Groups’…

National Album Day will be teaming up broadcast partner BBC Radio 2 to celebrate the album format and the incredible albums by Great British Groups.

There will be special products, events, and as always, some famous faces helping to promote National Album Day along the way.

National Album Day was first celebrated in 2018 to praise the album format. After all, we’ve enjoyed over 70 years of albums; classic, life-changing, first, influential and even the ones we couldn’t live without. Albums mean different things to different people – but there is no denying the huge impact they’ve not only had on our lives but on British pop-culture as we know it.

More details –

https://www.nationalalbumday.co.uk/

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DL Diary Blog Update:

Wednesday October 9:

So the bus I intended to get at 11am to meet a good friend has been cancelled and the next one is not until 12 – so a trip to Slide Record Shop to pass some time and things are looking up as they have Led Zeppelin’s Houses Of The Holy on the player- they must have known I was coming! I am now grooving to No Quarter which is a considerably better experience than sitting waiting in Bedford Bus Station …thanks Warren and Wes !

Wednesday October 9:

So great to meet with my oldest friend Dave Corp in Rushden -we’ve known each other since we were seven – the talk was of life in Dents Road in the 1960s, The fortunes of Chelsea and Spurs and of course music and our love of the Dave Clark Five way back when…and now! All in all a life affirming afternoon …