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REMEMBERING JOHN BONHAM 44 YEARS GONE/LZ NEWS/ MORE JOHN BONHAM REFLECTIONS/JUST BACKDATED BOOK REVIEW/FACES AT THE BBC BOX SET REVIEW/CODA AT BEDFORD ESQUIRES SEPT 28/DL DIARY BLOG UPDATE

25 September 2024 922 views No Comment

 

Remembering John Bonham 44 years gone …

To mark the 44th anniversary of his passing on Wednesday September 25, I’ve rounded up 44 examples of John Bonham’s percussive perfection. Along with countless fans around the world I will be indulging in many of these remarkable performances as we remember the man who still remains at the heart and soul of Led Zeppelin…

John Bonham 1948 – 1980:

Always loved…Always remembered… Always played…

Play these and remember him this way…44 greatest beats…

She’s A Mod – The Senators – (1964)

The earliest appearance on record of the young John Bonham on record. There’s plenty of busy fills on this Twist and Shoutish typical mid 60s beat boom outing.

Hear it: Brum Beat Compilation/YouTube

For What it’s Worth –  Band Of Joy (1967)

* Another early recorded remnants of the teenage Bonham with the Band Of Joy and fellow Midlander one Robert Plant.

Robert Plant said: ‘’You can hear Zeppelin in there. Bonzo’s doing a lot of those drum figures and fills which were quite popular with drummers like Carmine Appice all that virtuoso drumming. It was like ‘’Here I am everybody: somebody get me in a really big band quick -I want to get away from Plant!‘’

Hear it: Robert Plant – Sixty Six To Timbuktu (Atlantic)

Good Times Bad Times (1969)

*From the dramatic two beat opening, John Bonham puts the whole kit through its paces. That pioneering use of bass drum triplets heralded the arrival of a very special drummer.(DL)

Jimmy Page said: ‘’In terms of John’s playing, a big point of reference is Good Time Bad Times. He’s playing brilliantly on everything else but this is right out of the norm – playing a bass drum pattern that no one else has ever heard.’’

Hear It: Led Zeppelin (Atlantic)

Babe I’m Gonna Leave You (1969)

An early example of his ability to flow with the light and shade arrangements. He hangs back at all the right times and then enters with a stunning crescendo that literally throws you back.

Hear It: Led Zeppelin (Atlantic)

Your Time is Gonna Come (1969)

Time keeping supreme throughout…

Hear It: Led Zeppelin (Atlantic)

Communication Breakdown ( BBC Session 1969 )

* This take from their first John Peel session cut on March 3 1969 and aired on March 23 this fairly sizzles along -and Bonzo’s right at the heart of it.

Clock the percussive perfection: From 2 minutes 22 seconds the point were it veers off and the drummer free falls across tom tom and snare of the much employed maple Ludwig kit.

Hear It: The Complete BBC Radio Sessions CD 3 (Rhino/Atlantic )

 How Many More Times (Live BBC Playhouse Theatre 1969)

* An early live fave of course with that stimulating Gene Krupa inspired jazzy opening.

John Bonham said :‘’Gene Krupa was the first big band drummer to be really noticed. He came out and played the drums much louder than they ever had before. People didn’t take notice of drums until Krupa came along’’

Hear It: BBC Sessions (Atlantic)

bonzo may 31

Whole Lotta Love (1969)

One of one of their most potent studio moments and perhaps Bonzo’s best studio performance.

Clock the percussive perfection: Where else but that battering ram snare roll at 3.02 that leads into Page’s solo

Hear It: Led Zeppelin II (Atlantic)

Ramble On (1969)

* The pitter patter of bare hands against drum dominates throughout.

John Bonham said: ‘’You get a lovely little tone out of the drums that you couldn’t get with the sticks. You get an absolute true drum sound because there’s no wood involved’’

Hear It: Led Zeppelin II (Atlantic)

We’re Gonna Groove (Live Royal Albert Hall 1970)

* Simply Devastating. From the moment Bonzo warms up the kit through the frenzied opening and ride cymbal onslaught. Definitive John Bonham.

John Paul Jones said: ‘’I’ve seen all three James Brown drummers stand around him at the Newport Festival in disbelief wondering how one guy does what all three of them did’’

Hear It: Led Zeppelin DVD (Warner Music Vision)

Moby Dick (Live Royal Albert Hall 1970)

* Yes seeing is believing – superbly restored for the 2003 DVD this is 15 minutes of sheer percussive brilliance. Bonzo clatters, rattles, shakes and bangs his way into percussive immortality.

John Bonham said: ‘’My son Jason plays. I’ve got a kit made to scale for him. He’s got a great sense of time- even when we go out in the car he takes his sticks to bash on the seats.

Before the end of Led Zeppelin I’m going to have him onstage with us at the Albert Hall’’

Hear It: Led Zeppelin DVD (Warner Music Vision)

Since I’ve Been Loving You (1970)

* Proving there’s no sin in omission, Bonzo’s sparse incisive back beat allows the rest of them to build the tension.

Clock the percussive perfection: 48 seconds in with that positively nuclear cymbal crash over Page’s Gibson squeals and Plant’s instinctive shout of ‘’Oh!’’

Hear It: Led Zeppelin III (Atlantic)

Bathroom Sound – aka Out On The Tiles (1970)

Not so much out on the tiles as inside the drum heads…and what an instrumental percussive feast…

Hear It: Led Zeppelin III Companion Audio Disc (Atlantic)

Gallows Pole (1970)

* Clock the percussive perfection: The tension builds and then blam!-  he’s in at 2.04 to gallop amongst the gallows.

Hear It: Led Zeppelin 3 (Atlantic)

Bron -Yr Ar- Stomp (1970)

John lights up this delightful semi acoustic stomp by some subtle hi -hat and bass drum kicks that add the necessary drive in all the right places

Hear it: Led Zeppelin 3 (Atlantic)

 Poor Tom (1970)

* An invigorating New Orleans jazz straight eighth shuffle opens and carries the track throughout. An absolute masterclass of controlled percussion.

Hear It: Coda (Swan Song)

Rock And Roll (1971)

* Guaranteed to cause severe outbreaks of air drumming from the moment that cymbal crashing intro commences.

Clock the percussive perfection: It has to be that final flurry at 3.25. The most concise percussive statement ever committed to tape.

Hear It: Led Zeppelin 4 (Atlantic)

Four Sticks (1971)

* Yet another remarkable percussive statement. Bonzo tears along with a four stick attack clicking the rims of the drums in the process. Innovative and totally infectious.

Hear It: Led Zeppelin IV (Atlantic)

 When The Levee Breaks (1971)

* One drum kit, one stairwell, one microphone over the banister…a thousand samples…and the greatest of beats.

Robert Plant said: John always felt his significance was minimal but if you take him off any of our tracks, it loses it’s potency and sex. I don’t think he really knew how important he was‘’

Hear It: Led Zeppelin IV (Atlantic)

Dazed And Confused (Live LA Forum 1972)

* A 25 minute tour de force with Bonzo in the middle of it all guiding them through early stabs at Walters Walk and The Crunge in the process.

Hear It: How The West Was Won (Atlantic)

The Crunge (1973)

* Talking of which – the boys get off on the good foot and Bonzo applies a ridiculous 9/8 time. Could anyone do The Crunge..?

Hear It: Houses Of The Holy (Atlantic)

D’yer Ma’ker (1973)

* Less reggae, more 50’s fun time led all the way by Bonzo’s huge upfront wide screen playing -leading to a deserved lead song writing credit.

Hear It: Houses Of The Holy (Atlantic)

No Quarter (Live Madison Square Garden 1973)

* Clock the percussive perfection: From 9.01 as Bonzo plays behind Jimmy’s wah wah solo displaying a hi hat syncopation favoured by the likes of 70’s funkateers Sly Stone and Tower of Power

Hear It: The Song Remains The Same Soundtrack (Swan Song)

The Ocean (Live Madison Square Garden 1973)

* Totally uplifting. This is mid period Zep in all it’s unchained unabashed carnal glory. Via the DVD we can vividly see Page playing not only to an ocean but right off the drummer’s cues and shouts.

Hear It: The Song Remains The Same Soundtrack (Swan Song)

The Rover (1975)

* First tried for Houses Of The Holy , it’s eventual release three years later was worth the wait. Bonzo’s machine gun snare torrents subside for  Page’s melodic embellishments.

Hear It: Physical Graffiti (Swan Song)

In My Time Of Dying (1975)

* Perhaps their most intense and brutal performance – and it’s Bonzo constantly underpinning it all.

Clock the percussive perfection: From 7.12 and those four military barrages of power shared by Bonham and Page before Robert comes in with the line ‘’And I see it in the streets’’

Hear It: Physical Graffiti (Swan Song)

Kashmir (1975)

* Led Zeppelin in full splendour  and yet another masterful Bonham contribution. There’s no doubt that the economy in his playing gave the song it’s vastness.

Robert Plant said: ‘’A lot of Kashmir was done to Bonzo. He was a real thrifty player. It was often what he didn’t do that made it work.’’

Hear It: Physical Graffiti (Swan Song)

 

In The Light (1975)

Another total tour de force as John drives the tempo as required behind Jonesy’s keyboard effects.

Clock the percussive perfection: From 6 min 46 and right through to the fade – John scatters around the kit delivering a series of stunning fills that Jimmy weaves his electric guitar magic around…

Hear It: Physical Graffiti (Swan Song)

The Wanton Song (1975)

* Classic machete Zep. Again it’s John Henry steadying the ship as Page’s angular riffs take hold. It’s that rock steady beat that keeps all in line.

Hear It: Physical Graffiti (Swan Song)

Over The Hills And Far Away (Live Earls Court 1975)

* Always a live favourite – the studio version was merely the starting point for the tangents within the framework.

Clock the percussive perfection: From Plant’s shout of ‘’Acapulco gold’’ at 2.35 as Bonzo drives the rhythmic experiments of Page’s solo with a two hit snare run not dissimilar to that employed on Candy Store Rock

Hear It : To Be A Rock And Not To Roll (Watch Tower bootleg)

Achilles Last Stand (1976)

* The chemistry of all four perfectly in sync to pull off perhaps their most inventive composition.

Clock the percussive perfection: So many to choose from – how about 1.17 and the first fill ,then again at 2.29 and another burst of power, or there’s the point at 4.08 when the first machine gun rally with Page kicks in.

Hear It: Presence (Swan Song)

Royal Orleans (1976)

* Bonzo cleverly plays against the riff with a funky edge on another of his co compositions.

Clock the percussive perfection: 1.56 and the interjection of bongos with the main drumming. A deft touch.

Hear It: Presence (Swan Song)

Hots On For Nowhere (1976)

* As Charles Shaar Murray noted, what the Glenn Miller orchestra would have sounded like had they been a murderously heavy four piece rock band. This one swings along with some incredible fills.

Clock the percussive perfection. At 4.01 through to the finish as he clatters around the spiralling Page runs.

Hear It: Presence (Swan Song)

Ribs & All/Carrot Pod Pod (Pod) (Reference Mix) (1975)

The outtake from the Presence sessions as recorded in November 1975. Mournful, forlorn and reflective, it creates a beautiful atmosphere. Jimmy drifts in at 2mins 39 with some minor descending electric strumming, quite possibly courtesy of the Telecaster B bender. Behind all that there’s an acoustic guitar – all very autumnal and Ten Years Gone- ish. Then John Bonham enters at 3 mins 01 and like Jimmy says, it will make you smile – it might even make you cry…

Clock the percussive perfection: At 2.25 when the drums enter with typical Bonham graceful precision.

Hear It: Presence Companion Audio Disc (Rhino/Swan Song)

Beware My Love with Paul McCartney and Wings (1976) 

This demo version of the song on Wings At The Speed Of Sound surfaced on the extended remastered package in 2014.

Clock the percussive perfection: At 1 minute 54 when John gives it a roll on the snare drum as Paul shouts out ”Intro!”

Hear it: Wings At The Speed of Sound remastered expanded edition (MPL)

Bonzo’s Montreux (1976)

* Enter the John Bonham orchestra. Bonzo had long harboured a plan for a dramatic new solo piece and the period in tax exile gave him the opportunity to experiment in Mountain Studios. The result -another percussive landmark.

Hear It: Coda (Swan Song)

Bonham

The Song Remains The Same (Live LA Forum 1977)

* Despite all the off stage lunacy surrounding them now, Bonzo came through when it mattered. It certainly mattered any time they played Los Angeles and this opening night in LA was a triumph.

Clock the percussive perfection: From 1.25 to 1.36 a ten second torrent of furious snare attack as the song builds.

Hear It: Listen To This Eddie (Empress Valley bootleg)

 

Keep Your Hands On The Wheel – (with Roy Wood 1979)

A little known cameo performance – this track was recorded in 1978 and released on Roy Wood’s solo album. Bonzo helps out his fellow Midlands chum adding suitably widescreen drumming to a rollicking stomp.

Clock the percussive perfection: At 3 minutes when Bonzo leads them back in with a familiar clatter across snare and tom -tom.

Hear It: Roy Wood On The Road Again (Warner Brothers

Fool In The Rain (1979)

* On this outstanding Bonham showcase we can hear the fusion influence of jazz players such as Bernard Purdie and Alphonse Mouzon.

Clock the percussive perfection. Firstly at 2.25 when the whistle blowing ushers in a Latin samba delight, then to the dexterity of his playing from 3.32 to 3.50 and the entry of Jimmy’s solo.

Robert Plant said: ‘’If you listen to Bonzo on that album -things like Fool In The Rain ,well he was weaving with as much dexterity and finesse as on the early days. One or two of us might have been struggling at that point but Bonzo still had it‘.’

Hear It: In Through The Out Door (Swan Song)

I’m Gonna Crawl (1979)

*Marvel as he lays a solid back beat and builds the tension before applying a cymbal crushing back drop to Robert’ ”Every little, every little bit” refrain…

Hear It: In Through The Out Door (Swan Song)

Wearing And Tearing (1979)

* He’d mixed it with the punks down at the Roxy club in ‘77 so attacking this track with Rat Scabies like vigour was chicken feed. Fast and loose and then some…Punk Rock? Never ‘eard of it…

Hear It: Coda (1978)

Sick Again (Live Knebworth 1979)

* Knebworth was a triumph for Bonzo -his playing throughout was exemplary. One of the surprise highlights of the set was this   stand alone version of Sick Again – and he is just phenomenal all the way.

Clock the percussive perfection: From 3.44 and onwards as he puts the metallic kit through it’s paces and whips up a storm right through to the stop gap ending at 5.07

Hear It: Led Zeppelin DVD (Warner Home Vision)

In The Evening (Live Knebworth 1979)

*More magnificence as Bonzo builds the drama with that phased tympani intro.

Clock the percussive perfection: From 7.10 onwards as he compliments Plant’s pleading and Page’s Stratocaster strut with a tribal tom tom assault.

Hear It: Led Zeppelin DVD (Warner Home Vision)

Stairway To Heaven (Live in Berlin 1980)

An extraordinary performance. Page’s solo on this last ever Zeppelin delivery meandered to take the track to nearly fifteen minutes in duration. Bonzo’s task was to intrusively follow the guitarist lead which he does with deft skill.

The camaraderie of recent weeks seemed to will them on to keep the flame burning for as long as they could on this final night.

A little over 80 days later Led Zeppelin were no more

Robert Plant said: ‘’The band didn’t exist the moment Bonzo had gone to me. Sometimes I still shout up there at that mass of blue and go ’’That was not a very good trick’’

Hear It : Last Stand (Toasted Condor bootleg)

”Listening to John Bonham, well that always  makes me smile ”- Jimmy Page Olympic Studios Led Zeppelin Reissue playback March 2014

Compiled by Dave Lewis

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LedZep News

Here’s the latest Led ZepNews Update:

Previously unseen photos of Led Zeppelin performing in Boston in 1973 were published online

Led Zeppelin performing in Boston on July 20, 1973 (Joe Maloney/KRW_CO)

The final collection of previously unseen photographs of Led Zeppelin in Boston shot by Joe Maloney were published online by KRW_CO yesterday. They show Led Zeppelin’s July 20, 1973 Boston performance.

The images reveal that all of the photographs previously thought to be of this night are actually likely the following night’s Led Zeppelin show in Providence.

Back in April, KRW_CO published similarly unseen photographs also taken by Maloney of Led Zeppelin’s September 9, 1970 and September 7, 1971 Boston shows.


A new book about Led Zeppelin will be published in September 2025

The cover of the book “Valhalla!: The A to Z of Led Zeppelin” shown in a 2022 document produced by its publisher

A new book about Led Zeppelin titled “Valhalla!: The A to Z of Led Zeppelin” will be published on September 11, 2025, we revealed earlier this week.

The book, by rock writer Paul Brannigan, was first announced in 2022 and was originally planned to publish in November 2022. But online listings show the book is only now coming to light.

It’s unclear why the book has had an almost three-year wait to be published. LedZepNews asked the publishers why but we haven’t heard back.

While we wait for the publishers to reveal the book’s final cover (the cover shown above and in our article was from the book’s 2022 announcement and may not be the final cover) we’re also hoping they update the book’s dimensions on Amazon UK. Currently it lists it as the worryingly small 0.1 cm by 0.1 cm by 0.1 cm.


John Bonham’s Earls Court 1975 drum skin sold for £32,000

The drum skin sold through Omega Auctions (Omega Auctions)

A drum skin used by John Bonham during Led Zeppelin’s Earls Court shows in 1975 blew past its estimate of £3,000 to £5,000 and sold at auction on September 17 for £32,000.

There was an international bidding war for the drum skin which saw bidding go from last Sunday’s level of £7,500 to the hammer price of £32,000 in just two days.

The sale price will likely go down well with the seller, former chocolate reviewer Simon Michalak, who revealed this week that he chose to list the item at auction in part because “I need a new kitchen”.

Auctioneer Paul Fairweather who runs Omega Auctions which sold the item told LedZepNews following the sale that “the market for Led Zep memorabilia (and vinyl!) is stronger than it has ever been.”

Could that be a reason why legendary Led Zeppelin collector Brian Knapp quietly chose to sell some items on eBay from his vast collection last month?

Jimmy Page

Jimmy Page was honoured at a dinner in Washington, D.C.

British ambassador to the US Karen Pierce (left) presents Jimmy Page (right) with a gift during an event held in Page’s honour at the British Ambassador’s Residence in Washington, D.C. on September 19 (Twitter/British Embassy Washington)

Some of the most powerful people in the US government attended a dinner held in Jimmy Page’s honour at the British Ambassador’s Residence in Washington, D.C. on September 19.

Grace Potter performed a cover of “Whole Lotta Love” for the guests. There is no sign of Page having performed anything on the night.

Attendees included Page, co-host and British ambassador to the US Karen Pierce, Page’s girlfriend Scarlett Sabet, Attorney General Merrick Garland and Justice Brett Kavanaugh.

Robert Plant

Robert Plant performed with Saving Grace in Bewdley

Robert Plant (left) at the Celebration Daze event in Bewdley on September 21 with volunteer Ian Jevons (right) (Facebook/Ian Jevons)

Last night, Robert Plant returned to performing with Saving Grace as the band performed in a small church in Bewdley in the UK on September 21 as part of a two-day festival called Celebration Daze.

It’s unclear how much involvement Plant and his bandmates had in arranging the festival. The Shuttle, a local newspaper, reported this week that “the plans for the ‘Celebration Daze’ project were first discussed in a local pub by Robert Plant and the members of Saving Grace.”

Burr Island, last night’s support act, are a recent favourite artist of Plant’s and so their inclusion on the bill suggests he was involved in planning the festival. LedZepNews wonders whether he came up with the idea of a play on “Celebration Day” for the festival’s name.

A post shared by @ems.lloyd_

After last night’s performance, Plant apparently “stood there & explained what the meanings of the songs he’d performed were,” according to volunteer Ian Jevons.

Upcoming events:

  • October 8 – Robert Plant will perform with Saving Grace in Bari, Italy.
  • October 9 – Robert Plant will perform with Saving Grace in Naples, Italy.
  • October 11 – Robert Plant will perform with Saving Grace in Rome, Italy.
  • October 12 – Robert Plant will perform with Saving Grace in Florence, Italy.
  • October 14 – Robert Plant will perform with Saving Grace in Bologna, Italy.
  • October 15 – Robert Plant will perform with Saving Grace in Turin, Italy.
  • October 17 – Robert Plant will perform with Saving Grace in Como, Italy.
  • October 18 – Robert Plant will perform with Saving Grace in Bolzano, Italy.
  • October 20 – Robert Plant will perform with Saving Grace in Padua, Italy.
  • October 21 – Robert Plant will perform with Saving Grace in Trieste, Italy.
  • October 23 – Robert Plant will perform with Saving Grace in Brescia, Italy.
  • October 25 – Robert Plant will perform with Saving Grace at the Baloise Session music festival in Basel, Switzerland.
  • October 27 – Robert Plant will perform with Saving Grace in Antwerp, Belgium.
  • October 29 – Robert Plant will perform with Saving Grace in Paris, France.
  • Late October – “Led Zeppelin – Whole Lotta Love: A People’s History” by Richard Houghton will be published.
  • November 5 – Robert Plant will perform with Saving Grace in Harrogate, UK.
  • November 6 – Robert Plant will perform with Saving Grace in Stockton, UK.
  • November 23 – Robert Plant will perform with Saving Grace in Woking, UK.
  • November 24 – Robert Plant will perform with Saving Grace in Southend, UK.
  • 2025 – An expanded version of Live at the Greek, the live album featuring Jimmy Page and The Black Crowes, is due to be released.
  • May 5 – Robert Plant will perform with Saving Grace in Eindhoven, The Netherlands.
  • May 6 – Robert Plant will perform with Saving Grace in Amsterdam, The Netherlands.
  • May 8 – Robert Plant will perform with Saving Grace in Copenhagen, Denmark.
  • May 9 – Robert Plant will perform with Saving Grace in Malmö, Sweden.
  • May 11 – Robert Plant will perform with Saving Grace in Gothenburg, Sweden.
  • May 14 – Robert Plant will perform with Saving Grace in Oslo, Norway.
  • May 16 – Robert Plant will perform with Saving Grace in Stockholm, Sweden.
  • May 18 – Robert Plant will perform with Saving Grace in Tampere, Finland.
  • May 19 – Robert Plant will perform with Saving Grace in Helsinki, Finland.
  • May 21 – Robert Plant will perform with Saving Grace in Tallinn, Estonia.
  • May 23 – Robert Plant will perform with Saving Grace in Vilnius, Lithuania.
  • September 11 – The book “Valhalla!: The A to Z of Led Zeppelin” by Paul Brannigan will be published.
  • October 2025 – John Paul Jones’ song cycle for Dame Sarah Connolly will premiere in London.That was our 359th email. Have any questions or feedback? Reply to this email and we’ll get back to you.Follow Led Zeppelin News on Twitter and Facebook to stay up to date on news as it happens, and check ledzepnews.com for the latest news.

 

Many thanks to James Cook 

The complete Led ZepNews email goes out periodically. To receive it sign up here:http://tinyletter.com/LedZepNews

Led ZepNews Website: Check out the Led Zeppelin news website at

http://ledzepnews.com/

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John Bonham 44 Years Gone today…

To mark the 44th anniversary of the passing of John Bonham here’s some personal recollections from myself and long time TBL contributor Gary Davies…

The Optimism, The irony and the Agony

Dave Lewis reflects on the personal impact and aftermath of the events of Thursday September 25th, 1980.

I was just turned 24 years old and so far 1980 had been a rollercoaster year for me for many reasons.

Back in the early autumn it’s fair to say Tight But Loose, the Led Zeppelin magazine I had established in late ’78 was on something of a roll. It was turning into a very exciting year on all things Zeppelin. Issue 4 had been issued in April – the first A4 size issue with professional printing. I’d built a strong rapport with their Swan Song office managed by Unity Maclean and in the summer I’d been lucky enough to view five of the Over Europe shows at very close quarters.

I’d spoken to John Bonham a few times during the tour – and on our last night in Munich as we all revelled in a night club, John wrote down his phone number and told me to call him when we got back in the UK (That piece of paper written on a German hotel note pad page with his name and number on remains one of my most treasured possessions). I remember vividly him giving us an affectionate big bear hug as we left the club that night.

On Thursday July 24th I phoned him at Cutnall Green. We had a long conversation. John was very happy with the way the Europe tour had gone and was now looking forward to a holiday. He told me there was a group meeting due the next day to discuss what was to happen next. He said to call during August for more news. During that second call in late August, John strongly hinted they would be returning to America in the autumn.

When the first dates were announced in early September I’d already made up my mind to go. I was planning on the Landover/Philadelphia dates. I was constantly in touch with Swan Song that month and on Thursday September 18th I visited the office to take in some early text of the forthcoming Tight But Loose issue. Jimmy Page was at the office that day and I spent over half and hour with him one on one in the inner sanctum of their plush interview room. He talked enthusiastically of their plans and showed me a model set up of their new lighting and stage rig. The model was complete with a miniature representation of each of them on stage. I asked him about the ongoing chronological live project and he told me he had been looking at some footage to go with the tracks. He also said that the outtakes from the last album were still under consideration to use in some format. An album and UK dates in 1981 were also planned.

I wrote down hurriedly the content of our conversation that early evening and one quote stands out: ”I feel there is a lot more to do simply because this band thrives on a challenge – you’ve only go to look at Presence for that”

The following Tuesday I phoned Unity at Swan Song for the latest news. Unity informed me they were commencing rehearsals in Bray Studios later in the week. Excitedly I took down notes on a piece of paper as she told me all this. I still have that note – a reminder of the optimism of that time. Unity told me there may be a possibility for me to attend rehearsals the next Tuesday. Now that would be something very special.

Tight But Loose 5 was to be an Over Europe special with a 10,000 word report of the tour formulated from the five gigs I’d witnessed. I’d been working on it fairly non stop since August and it was nearly complete. I spent the next two days finishing up the lay out – these were the days when I cut it all in myself scrapbook style to be printed.

On Thursday September 25th (with huge irony) I finalised the closing news item which I’d written on September 22th –  ”By the time you are reading this” it stated, ”Zeppelin will be mid way through a 4 week trek across the US” It was all ready to go. I was ecstatic and with good reason.

All that was left was to write the editorial – here it is:

This editorial piece is full of optimism for the future and reveals my plan to stage a Led Zeppelin UK fan convention. That idea would eventually come to fruition some 12 years later when the inspirational Andy Adams and I staged such an event in London in May 1992.

These words that I wrote this week in 1980 for this planned TBL 5 editorial would prove to be very poignant:

‘’Suffice to say that come the day (and it will come), the band set foot on homeland soil with this set, expect something special. This 1980 Led Zeppelin is looking very healthy’’

The sad passing of John Bonham on September 25 1980 would render this editorial obsolete. I would have to write an entirely different version the next week.

 

So by the afternoon of September 25 1980 it was already to go. I was ecstatic and with good reason.

The mag was ready to print, there was a chance I may even get to see them in rehearsal the next week and America beckoned in October.

All that optimism and hope would evaporate over the next few hours.

The first call came just after 7pm. Carolyn Longstaff from Newcastle, one of the initial Tight But Loose subscribers told me the shocking news she’d just heard. John Bonham had been found dead at Jimmy Page’s Windsor home. I refused to believe it. ”How can it be?” I explained ”They are in Bray rehearsing” .

I said I’d make some calls. I was in my bedroom so I turned on the radio and waited for the 7.30 news on Radio One. Surely if it was true it would be a lead item. It wasn’t and for a few seconds I hung on to the hope it was all a mistake. Then it happened:

”This news just in. Led Zeppelin drummer John Bonham has been found dead….”

I just couldn’t believe it. I rushed down to my Mum and Dad in a state of shock. The phone was constantly ringing from other fans and even a couple of radio stations in America wanting confirmation. Later I met up with my fellow Bedford Earls Court vets Dec and Tom also both shocked and stunned. I spent the night at Dec’s finally going to sleep around 4am.

In the morning in a daze I walked the two miles home stopping in a newspaper shop (further irony – the shop is a stones throw from the house where years later I would move to). There in all the papers was the devastating news in cold hard print. The Daily Mail had a picture of Bonzo on stage at Earls Court on the front ….

I sat on a nearby bench and cried.

The next 48 hours passed in a blur. I stayed at my brothers on Friday. I was too upset to go to work until Monday. I did somehow manage to turn out for soccer on Sunday morning. I couldn’t let my team mates down and got through it (we won 10-1 but it mattered little). My world had turned upside down. Zeppelin had been so much a part of it for so long and it was gone.

There was no way it could continue without Bonzo. I did not consider them carrying on from the moment I heard the news.

The was grief from all quarters. Obviously for John’s family, the group and their entourage. Selfishly I guess also for myself – matters were further compounded on a personal level as I was undergoing the aftermath and fall out of an intense love affair that had dominated the last few months. The lady concerned re appeared that weekend worried after the catastrophic news knowing I’d be upset. It gave me false hope we might rekindle the affair. That was definitely not on her agenda. More misery.

I rang Unity at Swan Song on Monday. She was very supportive and informed me they all felt the magazine should go out as soon as possible. I wrote a new editorial which was one of the most painful things I’ve ever written.

I did think about going to the funeral but decided against it. It was just all too much. The press reaction was another difficult factor to deal with. I had several calls to give quotes out. There was a terrible story in the Evening Standard stating Page’s occult interest as the reason for their bad karma. They ran a picture of tour manager Rex King captioned as Bonzo which showed their ignorance of it all.

Overall the press coverage in the music weeklies was somewhat muted. There were no big four page tributes or special supplements. I think it gave them the opportunity to brush Zep under the carpet and concentrate on the new wave acts they were now all championing.

Looking back there was little sharing of grief with other fans. This was of course pre Internet days and even though I was in contact with a lot of fans, I think we all found it hard to take in. I also initially found it difficult to play any Zep at first. It was all too painful but eventually there was solace in the music. That above everything still remained.

Life for all of us had to go on.

The next few weeks saw the distribution of the magazine and I was in constant contact with   the Swan Song office. I visited a few times over the next few months – one very wierd afternoon on Friday November 14th when they had just come back from Jersey. All the roadies were in the office having been informed it was over though that was all being kept secret for the moment. Everyone there just seemed without a purpose.

And of course officially on Thursday December 4th came the inevitable statement.

Looking back to that bleak September day all these years later, it was a life changing turn of fate for all of us. Looking at my diary from those times I think I went through something of a minor breakdown during the weeks and months afterwards. There were some dark days though gradually things got better.

The positive reaction to TBL 5 did motivate me to continue with the magazine into 1981 but it was very hard to keep the enthusiasm going knowing the very subject matter of the magazine was now history. It was never going to be the same and dealing with fragments of solo careers, separate entourages etc in the end wore me down. Issue 6 came out in the August – I didn’t plan to stop producing it and looking back I dearly wish I’d kept going.

Motivation levels were low and though it’s hard to believe now, surprisingly Zeppelin became very unfashionable in that era. The magnitude of just what they had created would not become apparent until much later in the decade and beyond- by which time I’d produced the A Celebration book and got the magazine back in print for the very belated (ten year interval!) issue 7.

I tried to find something to fill the void before all that – turned my hand to playing in a band as I’d long harboured a notion to become a drummer myself (more irony!) but it never really got off the ground.

By the time Robert had got his solo album together in 1982 it was evident my desire to chronicle their work separately was still very strong.

This thing wasn’t going to go away. There was Coda, Pictures At Eleven, The Firm, JPJ’s Scream For Help etc to assess . My first book, a best of Tight But Loose compendium The Final Acclaim was published in the autumn of 1983. Within all that I got married. Luckily the good lady knew what she was coming into!

The real tuning point was perhaps again ironically Live Aid. While it was so apparent by the performance that it could never be Led Zeppelin without Bonzo – the whole chaotic drama of the occasion threw the whole Zep legacy back into the spotlight.

I think that was the moment we all knew it still meant something – and would continue to mean something to subsequent generations. And of course part of the reason it does so is the contribution of John Bonham. In the intervening years his groundbreaking percussive skills have been rightly acclaimed, imitated and sampled.

It’s the immense musicianship that he brought to Led Zeppelin that will ensure his legacy.

Take a look at the any YouTube footage of John…. on stage tearing through Moby Dick at the Albert Hall, the pure joy of his intro and sparring with Jimmy during The Ocean at the Garden, the intense concentration during In My Time Of Dying at Earls Court, the smiles and pure joy of Rock And Roll at Knebworth.

…and remember him this way

John Bonham was the true driving force behind Led Zeppelin and he will never be forgotten.

Dave Lewis – September  25 2024

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 John Bonham Remembered : How I wish the 1970s had never ended…

Gary Davies recalls his experiences and reaction to the tragedy of John Bonham’s death as a Led Zeppelin fan growing up in the Midlands area John hailed from

Like many rock music fans of my generation I remember wishing that the 1970s would never end. For us it was an era of total immersion into the world of “rock” – nothing much else in life mattered in those days. For the denim-clad brigade of rockers aged between fifteen and twenty five, the mid to late 1970s was all about the Zep, The Who, Purple, Sabbath, Priest, Queen, UFO, AC/DC, Budgie, Rush, Scorpions, etc., all of whom were being blasted out on BBC radio by those two legendary champions of rock, Alan Freeman and Tommy Vance. So there I was back in the late 70’s earning twenty quid a week as a fork lift truck driver in a warehouse, going out most nights frequenting the rock establishments of Birmingham city centre. I’d have three quid in my pocket, enough for a live band and a few pints of “snake bite” at my favourite rock venue ‘Bogarts’.

Of course, let’s not forget that at that time we found ourselves in the middle of the punk revolution; the Pistols, Gen-X, Clash, Sham 69, et-al. The “filth and the fury” of it all, the spitting and snarling of the safety pin generation had well and truly arrived, and it was wonderful to behold.

I never really was into Genesis, Yes, ELP, the opulence ofRick Wakeman’s ice skating Legends of King Arthur theatrical performances, and neither were the punks. In fact, they hated all the Prog-Rock hippy type of bands, and it was unfortunate that they tended to lump Zeppelin into that category, too. The Zep were all too aware of the perception of them as rock dinosaurs, but to their credit, instead of disappearing from view like so many of the established rock giants of the time, they actually engaged themselves with the likes of Generation X and The Damned, with Page, Plant, and Bonham having watched the latter perform at The Roxy club in early 1977. Punk and New Wave was all around and I, like many of my peers, indulged myself in the genre, and in 1978 I made my TV (audience) debut on ATV’s ‘Revolver’ programme! There I was watching The Stranglers and X-Ray Specs, and having a chat with Billy Idol at the side of the stage. Heady days!

Those were good times, but as a Zeppelin fan, for me it got even better. The next year, in April 1979, I got to see Page, Plant, and Bonham jamming on stage with Bad Company at the Birmingham Odeon. There I was at the very front leaning on the stage with Jimmy Page stood in front of my very eyes, no more than three feet away! I couldn’t believe this was happening!


And then came the gargantuan spectacle of those two shows at Knebworth; the ultimate coming together of the masses all at one in perfect synchronicity with the gods on stage. The Knebworth experience was simply incredible, and it served to underline time and again why I did not want the 1970s to end. I’ve never been one for toasting in the New Year, let alone a new decade, and the arrival of 1980 was no exception. Following the winter of discontent and the general election defeat of James Callaghan’s Labour government in May 1979, there was a feeling of trepidation of what would lie ahead under Thatcher’s Britain as we entered into a New Year. Still, I thought, as long as I had my rock music (especially Zeppelin), then things would be ok. How wrong I would be….

1980 had barely got into its stride when on Tuesday, February 19th, the shocking news came through that AC/DC’s frontman, Bon Scott, had died. He’d been drinking heavily the night before and had fell asleep in the back of a friend’s car, only to be found dead the next morning. The cause of death was reportedly acute alcoholic poisoning. He was just thirty three years of age. I couldn’t believe it, and neither could the local AC/DC fan contingent who gathered at Bogarts that Tuesday night, openly sobbing their hearts out at the sad news. I remember being a bit bewildered at the sight of witnessing grown tattooed rockers openly displaying such levels of grief. I mean, they didn’t know Bon Scott, did they? It wasn’t like that he was
family or anything. I really thought that type of open expression of emotion only happened in the States, like when Elvis died back in ’77. However, as the days went by I actually felt very sad for my AC/DC mates and I grew to understand where they were coming from – it was THEIR band after all, and everything seemed to have come to a grinding halt in their lives when Bon died. I imagined how I would’ve felt if such a tragedy would ever befall a member of Zeppelin, the mere thought of which made me feel quite sick. So I really did feel for the AC/DC fans, and it’s true to say that Bon’s untimely death did cast a dark cloud over the world of heavy rock for a while, particularly in the weeks and months that followed.

It didn’t end there though, because three months later the twenty three year old lead singer of Joy Division, Ian Curtis, committed suicide. Two months after that, in July, the lead singer of The Ruts, Malcolm Owen, died of a heroin overdose. He was only twenty five years of age. The air of gloom, which was all too apparent in the immediate aftermath of Bon Scott’s death, returned once again. Still, for me, business eventually got back to normal and thoughts turned to acquiring cassette tape audience recordings of some of Zeppelin’s recent over Europe campaign shows. They started filtering in as the weeks passed by, and as the summer months drew to a close the handful of recordings I’d managed to get provided many an evenings’ worth of entertainment for me as the dark evenings gradually returned. However, unbeknown to me things were about to get even darker…

On the morning of September 26th, I got up and headed out the door to go to work. There was a newsagent’s shop around the corner from where I lived, and it had probably been six or seven years since I’d been into this particular shop. However, for whatever reason I decided to go in to buy a packet of cigarettes. As I walked in, I looked around, and it was like as if I’d been transported back in time to the mid 1970’s; same decor, same smell, and same selection of sweetie jars on the counter. As I approached the counter the couple who ran the shop recognised me straight away and they both smiled and started talking to me, saying that they hadn’t seen me in there for a while. Then, as I asked for my packet of cigarettes I glanced down at the counter and saw all the newspapers displaying pictures of John Bonham against the various headlines i.e. ‘Led Zeppelin Drummer Found Dead in Bed’, Numbness, dizziness, and complete and utter shock, were what hit me. I looked back up and the nice couple serving were still happily chatting to me but I couldn’t hear a damn word they were saying.

I grabbed a couple of the tabloids, got my ciggies, settled up what I owed and I was out of there. I’ve never been back into that Newsagent’s shop since then, and I never will. My memory of that morning of September 26th, is pretty much a blur. I went to work that morning but I just couldn’t focus on anything. My so-called work friends found the whole “dead rock star” episode quite a source of amusement, especially one young punk pretender who had been persecuted himself (by others) some twenty months before when Sid Vicious died. In his
mind it was now payback time, and I had to suffer various jibes from him during the course of the morning – he knew I was a big fan of Led Zeppelin. I’d had enough, and by lunchtime I made my excuses that I wasn’t feeling well (which I wasn’t) and went home. I slapped Presence onto the turntable, blasted out ‘Achilles Last Stand’ and cried my little heart out.

That evening I went into the city centre and into Bogarts. All my friends were there and we ended up all slumped on the floor by the bar in one emotional heap, clutching our pints and the tears flooded out once more while the resident DJ dedicated the whole evening to Bonzo. It was Zeppelin all night. My vision that night was mostly blurred by a mixture of endless tears and the alcohol taking effect, but I do remember seeing those tattooed AC/DC rockers present that evening in Bogarts, these being the same guys who cried openly for their hero some seven months previously. Now I could really identify with tragedy of how they all felt back then. Tears for Elvis, tears for Bon, and now tears for Bonzo…

The air of gloom returned once again, darker than ever before. The days and weeks that followed were truly miserable, mainly spent in my bedroom playing Zep non-stop and looking through all my Zeppelin scrapbooks of the hundreds of cuttings I’d collected over the previous few years. Unfortunately there were now a few more newspaper cuttings to add to my
scrapbook collection.

On a wet dank morning of October 10th 1980, five of us crammed into my mates’ sister’s mini and we headed off to the Parish Church of St Michael in Rushock, near Kidderminster. It was the day of John’s funeral and we went along to pay our respects to him. When we arrived, my mate’s sister carefully removed the small three-circled wreath from the car that the five of us chipped in to buy. When we proceeded towards the church we came across two other young fans that had travelled just a short distance from Droitwich, and they were there to also pay their respects to Bonzo. As described in Howard Mylett’s Led Zeppelin biography (second edition) all those years ago he mentions about “seven drenched fans standing in the rain outside Rushock Church…”. As we all made our way towards the church we saw a TV crew outside. ATV had despatched one of their local reporters, Rob Golding, to cover the funeral of John Bonham. Rob approached us and asked us if he could do an interview with us for that evenings’ local news programme, ATV Today.

After a bit of debate between us we all agreed. I hadn’t expected that my second appearance on TV in as many years would be under such tragic circumstances. We were asked if we could wander back up the lane a little so the camera could take a wide shot of the seven of us walking towards the church grounds with the wreath. We did this and Rob then conducted a short interview with us, only to be cut short due to the noise of an aeroplane flying overhead. I figured that maybe it was the Starship doing a fly-by in its own tribute to Bonzo! “Errr, I’m sorry, but could we do that again please?”, asked Rob. So, cold and a little soaked, we wandered back up the lane and did the whole thing again. The filmed piece was then despatched off to ATV studios and was broadcast that evening. We caught glimpses of the other band members and family going into the church for the service, and then we waited outside for the duration, just stood there in our own silent tribute to our fallen hero.

A while later after the service was finished, the church emptied and family and friends got into their cars. We spotted Roy Wood, who got into his Range Rover, which was adjacent to where we were parked, and we followed him all the way to the crematorium in Worcester. When we arrived, quite by accident I found myself walking beside an inconsolable Jimmy, and
Charlotte, who were flanked by two minders. As we advanced towards the crematorium, there was about one hundred or so fans and press waiting outside.

The whole area was awash with flowers and wreaths, including one sent by Paul and Linda McCartney. Their floral tribute spelt out the name JOHN. Just under three months later on December 8th, I remember thinking how sadly ironic that wreath design was. As my five friends caught up with me, we all walked into a packed crematorium. When inside, I stood right at the back of the hall crushed up against Cozy Powell. We exchanged a glance and a nod as I took my position next to him. Straight ahead seated about ten rows in front were the other three band members and Peter Grant. At the front sat the Bonham family. The service proceeded with everyone focussing on John’s coffin at the front of the hall. It was then time for the actual cremation to take place. John’s mother, Joan, was totally overcome with grief  and understandably – tragically Joan who died earlier this year, would find herself going through this agony again when John’s brother Mick died in 2000.

John Bonham’s death was a gut wrenching life changing event for me personally, and I can honestly say that I have never ever truly got over got it. Although many fans have travelled far and wide to visit the final resting place of John Bonham I have never been back to Rushock cemetery myself, even though it’s only a few miles away from where I live. Why? Well, I have always thought of John’s final resting place as a private place for family to visit a lost loved one, not for fans, but also because I’ve always thought that if I ever did go and visit his grave it would unlock all those terrible tragic memories I have of what I personally experienced 30 years previously.

Such is the depth of raw emotion I still feel about his passing and, I guess, the love I still have for him. He was a remarkable man, and he was only just thirty two years of age. Bonzo, thirty years ago and even way before, was always my hero, my favourite member of the group just simply for his incredible drumming. It was a fitting tribute to him that thirty years after his death John ‘Bonzo’ Bonham was crowned as the UK nation’s favourite drummer on BBC TV’s ‘I’m in a Rock ‘N’ Roll Band’.

Oh, how I still wish that the 1970s had never ended. But now, as the years have passed and having learned so much more about him, I also admire the type of guy he was i.e. not just a rock star but also an ordinary builder-type down to earth bloke from the Black Country out to have a good time in life, have a few beers with the lads and earn a decent crust for his kith and kin who he loved so dearly. He was a decent bloke, was Bonzo, and he remains my ultimate hero on so many levels.

Head, heart, and hands: John Henry Bonham. You will never be forgotten.

Gary Davies

First published in TBL issue 27 –September 2010.

Postscript from Gary:

As the 44th anniversary of John’s passing arrives, there is something about ‘time’ that is all too strange. In the 44years since 1980 there’s a lot in that time span that I should be able to remember, and with some degree of clarity. But, as these years have passed by, many life events during that time are not readily retrievable in one’s mind. Yet, those tragic events of September 1980 remain as clear to me now at the age of 60, as they were back then at the age of 18. This thing called ‘time’ has not done anything to diminish the clarity of those events from my mind. They were just too big, and their effect is ongoing through time.

I always have, and I always will, continue to watch and listen to John Bonham – His beats continue to provide me with the soundtrack to my life. He still knocks me for six when I hear something new – I’m just in awe of him. His playing at times was just simply astounding.

44 years on from when I stood outside Rushock Parish Church on October 10th as a heartbroken fan, the time for reflection has arrived once more…

Gary Davies

Many thanks to Gary for all his input – he has done the legacy of John Bonham proud over so many years…

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My Final thoughts:

John Bonham 44 years  – and yes it does seem like a lifetime but a second. In the early years of the anniversary I always busied myself on the day. 42 years ago on the first anniversary, I  went to see New Order at Walthamstow Assembly Hall. I hooked up with the Bedford New Order clan led by my good friend Dec. I knew the times were a changing when New Order’s entire set ran the same length as a standard Dazed And Confused. A year later on the anniversary, I completed in the Bedford half marathon. Today there will be more reflection on the tragic events of September 25th 1980 – but as I always say…so much has gone but so much remains…

Seven years ago thanks to Michael Rae, I was able to visit John’s grave on the 37th anniversary. ..here’s my thoughts on that day…

Visiting John Bonham’s grave on September 25 2017 – 37 years gone …

At very short notice, the opportunity arose last weekend to visit John Bonham’s grave – 37 years to the day of his passing.

Long time TBL supporter Michael Rae and his son Lachlan have been over on holiday from Australia -part of their intinery was to visit John’s grave. They very kindly asked me to go travel with them. So on Monday morning, Michale,Lachlan and Michael’s London based brother, David picked me up in Bedford and we headed for the Midlands. We arrived at St Michael and All Angels church in Rushock around 1pm. On entering the church, we noticed a fellow visitor by his Led Zep III t shirt -Warren recognised me and we had a chat. Warren had also visited Raglan Castle the scene of Robert’s fantasy sequence in the Song Remains The Same film.

Warren left us to head over to the graveyard to pay our respects.

I have never ever visited the grave before. Back in 1980 I made the decision not to go to the funeral – I was just too worn down with it all – looking back I do regret that. I have had mixed personal feelings about visiting the the grave since but today it all felt right…

The grave stands fairly alone overlooking some beautiful green and pleasant land. I of course, had seen many pictures of the gravestone but seeing it close up with the many drumsticks left and the cymbals left by visitors …well it was incredibly moving and emotional.

I had bought with me a simple plaque based on the TBL issue 38 limited edition cover. It read as follows:

John Bonham 1948 – 1980

Remembering John 37 years gone

The cherished memories of your life remain the same…

Always remembered, always loved

Dave Lewis

Michael Rae

Lachlan Rae

David Rae

September 25, 2017

On behalf of Led Zeppelin fans everywhere

I did feel a real responsibly to be representing Led Zeppelin fans the world over on this 37th anniversary and I duly placed the plaque by the headstone.

We took some photos and then Michael, Lachlan and David went into the church to sign the visitors book.

I had a few moments alone – I looked at the grave and out across the beautiful view, the weather was cloudy and dull but in a warming autumnal way.

As I looked out across the Worcestershire countryside in this serene churchyard, I thought what had been lost to us all that day 37 years ago. There were many voices and visons in my head

”We’ve done four already and now we’re  steady…”

John at Knebworth in the laser light creating the dramatic intro to In the Evening..

Watching him at the side of the stage in Frankfurt in 1980 as he relentlessly drove them through the finale of Kashmir…

Hugging me in the Munich night club and wishing us a safe journey home.

Telling me how pleased he was the way the Over Europe tour had gone and how much they were looking forward to touring America again in a phone call I made to him in August 1980….


”We could not continue as we were”

Deborah Bonham’s performance of The Old Hyde at the 1992 Led Zeppelin Convention…

Jason’s bow in tribute at the end of Rock’n’Roll at the 02 reunion…

Jimmy’s 2014 comment ”Listening to John Bonham, well that always  makes me smile”

So many memories of how so much was lost and yet how so much remains.

I put my hand on the gravestone, told him how much we all loved him and walked away…

This is what I wrote in the visitors book:

John Bonham – the heart and soul of Led Zeppelin ….then, now and forever

DL – September 28, 2017

 

Back to Rushock Sunday September 26 2021…

Here’s the story of our visit three years ago when amazingly, we met and spoke to Pat Bonham at the graveside…

In the morning, Steve drove us to Rushock to visit John Bonham’s grave. I have been once before via visiting Australian fan Michael Rae back in 2017.

I was a bit apprehensive about going as it had already been a highly emotional few days what with Andy’s funeral. However I am very glad I did.

It was peaceful and serene and myself, the good lady Janet, Steve, Anne Marie and Ian were able to have time to reflect and gather our thoughts in the beautiful surroundings of the Rushock countryside.

It was evident that John Couglan’s Quo had also visited the grave as there were flowers laid with a poignant note attached – how lovely that one veteran drummer had acknowledged a fellow much missed percussionist. This was made all the more poignant with the news that had just broken of the passing of original Status Quo bassist Alan Lancaster.

After we had been there a few minutes I saw a lady walking towards the grave – I knew who it was immediately – it was John’s widow Pat.

She recognised me (I’ve met her a few times) and I introduced her to Janet, Ian  and Steve and Anne Maria. Pat told us she visited the grave yesterday and was back for some more quiet reflection We had a very warm and trily emotional conversation – it was a very special moment indeed one of those times when it was just meant to be…an unforgettable memory…

Dave Lewis – September 28,2021

John Bonham 1948 – 1980 Always loved…Always remembered…Always played…

Dave Lewis – September 25 2024

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My thoughts on Just Backdated Melody Maker: Seven Years In The Seventies by Chris Charlesworth (Spenwood Books)

I’ve often noted that I owe a great debt to Chris Charlesworth – he gave me my big writing break in 1990 when he commissioned my Led Zeppelin A Celebration book when he was managing editor at Omnibus Press. Over many years he has been something of a mentor to me. I’ve been involved  with Chris on a fair few Zep book projects and he has always been a joy to work with. Being in Chris’s company inevitably leads to him spinning a yarn or two about his days on the Melody Maker. His stories of his Zep experiences have also lit up a number of Zep conventions and TBL events.

I’ve long since badgered him to write his own memoirs and finally he has got around to it. Just Backdated- Melody Maker: Seven Years On The Melody Maker chronicles the period when Chris was a staff writer at the then hugely successful music weekly Melody Maker.

I was an avid reader of the MM, NME, Disc and Sounds and was well aware of Chris Charlesworth’s byline on many a review and story. He was an enthusiastic observer of Led Zeppelin and when he went to be MM’s main man in Los Angeles and New York, I followed his column every week -indeed I still have many a copy of MM in my loft.

It’s the period when Chris was filing news reports from the US spanning the years 1973 to 1976 that forms the core of the book.

Before Chris reaches that part of the story, he recalls his early days growing up in Skipton in the West Riding of Yorkshire, attending a Beatles show at the Bradford Gaumont in December 1963 and playing guitar in a few local bands. He commences his journalistic career in 1964 progressing to the Bradford Telegraph & Argus and joins the Melody Maker in 1970.

Along the way, Chris attends an early Yes rehearsal, takes a call from Jimmy Page who tells him about the new group he is forming, while an early MM assignment sees Chris lauding a pre hit Elton John at the less than glamorous Krumlin Festival in Halifax. He also begins a long and fruitful relationship with his favourite group The Who – in particular bonding with Keith Moon.

He is also an early champion of Slade, Free and Deep Purple – in July 1970 Chris travels to my home town of Bedford to see Purple and Tyrannosaurus Rex appear at a one day festival at the local Bedford Town football ground – a gig I also dearly wanted to attend but at aged 13 could not afford the 25 shilling ticket. Chris also witnesses at close proximity ,Frank Zappa’s infamous fall (he pushed over by a crazed fan) from the stage at London’s Rainbow Theatre – a venue Chris is a regular at.

It’s in America though that the story really comes alive. This was in a period where the combined sales of the music press were some 500,00 plus a week and the MM had a sizable chunk of that. To keep sales up, Chris works incredibly heard in LA and then New York interviewing and seeing countless stars and would be stars. With such a circulation, these musicians needed the press to spread their word and Chris takes every opportunity to do so.

The anecdotes just keep on coming via a variety of subjects . His description of Bruce Springsteen performing a storming version of Pretty Flamingo is relayed as if you were right there in front of the stage, while Chris can take credit for being the first writer to bring Debbie Harry’s talent to the fore.  He is even asked to manage the fledgling Blondie but MM work commitments make that job impossible.

It’s not all plain sailing though – he has tricky encounters with the likes of Lou Reed and Peter Tosh and there’s a bizarre incident with Aerosmith’s Steven Tyler. He also has a punch thrown at him by notorious  Zep tour manager Richard Cole. However, all turns out sweetness and light with the Zep camp and he even gets to fly their Starship airplane. Not many can say they have lived to tell that tale! There’s also a very poignant meeting with Gregg Allman at his house in Macon in Georgia.

All these encounters tales are relayed with amiable humour and candour as Chris can barely believe the position he has attained as consort to the stars. There’s no more a star burning bright than a reflective post Beatle John Lennon who befriends Chris and brings him into his inner circle. At the first Beatles convention, Chris advises May Pang on what Beatles bootlegs to buy for Johnny Beatle (as Lennon refers himself as in communications with Chris.)

Chris also acknowledges the hedonistic world all this chronicling of the thriving US music scene leads to and offers an honest assessment of the sex and drugs that surrounds him ( Stephen Stills’ Love The One You’re With might have been an appropriate soundtrack here). A lot of this activity  unfolding in the venues, clubs and bars of New York City, most notable Ashley’s bar and restaurant run by ex Alice Cooper publicist Asley Pandel.

By early 1977 you get the impression Chris is a little burned out and when he is recalled to the UK to work back on the MM in London he resigns to stay in New York – initially working for tour manager Peter Rudge’s office.

There is a very moving epilogue to all this when in September 2021, Chris goes back to re-visit some of the haunts of his days as the Melody Maker’s  New York man on the scene.

This nostalgic return prompts Chris to paraphrase’s LP Harley in the opening line of The Go-Between observing that ‘The past is a foreign country.” That may be so but what a thrilling an exotic one it was for Chris Charlesworth to inhabit during these halcyon rock’ n’ roll years.

Just Backdated – Melody Maker: Seven Years In The Seventies is one of the very best rock related memoirs I have ever read and obviously prompts the question – can we have some more please Chris?

His years as editor at Omnibus Press would make a worthy sequel and hey Chris, I could have a small bit part as we could tell the story of how in 1990 you placated a rather disgruntled  Peter Grant when he claimed he and ‘the band’ didn’t know anything about my Led Zeppelin A Celebration book I was writing!

Suffice to say Just Backdated is highly recommended reading for anyone with an interest in the 1970s music scene. in short – it’s brilliant.

Dave Lewis – September 16 2024

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My thoughts on Faces at the BBC: Complete BBC Concert & Session Recordings (1970-1973) (Rhino)
There have been plenty of bootlegs of their various Faces BBC sessions and in Concert recordings – I have a few in my collection and more recently there have been two official Record Store Day LP releases. Now we have the very welcomed arrival of this expansive set that tracks every available Faces BBC recording.
The eight CDs include a massive 88 recordings – much of it previously unreleased with material drawn from the four album Faces catalogue -First Step, Long Player, A Nod Is As Good As A Wink…To A Blind Horse…, and Ooh La La) plus material Rod recorded for his solo albums including Gasoline Alley, Every Picture Tells A Story and Never A Dull Moment.
The Blu-ray disc includes newly restored footage of The Faces BBC 2 TV appearance on Sounds for Saturday recorded in late 1971 and aired in April 1972.
It’s a superb package presented in an LP size gatefold design with the CDs in slots -similar to the Crosby, Stills, Nash & Young Déjà vu and Who’s Next sets.
There’s a superb 48 page booklet-page booklet with new commentary from the surviving band members and quotes from Ronnie Lane, Ian McLagan, and the late great John Peel – a big supporter of the group.
Rod Stewart states, “If it wasn’t for John Peel, The Faces would never have broken through”. Ronnie Wood concurs, “He gave The Faces our first break” as does Kenney Jones: “John Peel helped the Faces so much in England, in the press and on his show.”
The very detailed and informative booklet has an enlightening summary of how the set was compiled by The Faces reissue producer Rob Caiger, plus a typically enthusiastic overview of the band by DJ Gary Crowley who also conducts a very interesting interview with BBC producer Jeff Griffin.
During the interview, Jeff touches on the fact that the Sunday In Concert concept came out of a conversation he had with Jimmy Page & Robert Plant who felt a live presentation of the group would work well. This led to the pilot recording of Led Zeppelin at dubbed One Night Stand and aired in August 1969. From there Jeff was given a 13 week series in early 1970 which was then extended and became a staple part of the Radio One schedule.
All this information adds a real perspective to how these sessions were formulated and acts a perfect introduction to what’s ahead on the eight CDs and Blu-ray disc.
The photos included in the booklet are also superb -many of them sourced from their BBC Top of the Pops appreances and hats off to the caption writer for dating them with such accuracy. There’s also a full log of The Faces BBC appearances at the Beeb from 1970 to 1974 with input from John Gray and Neal Webb of the Smiler magazine – it’s good to see them involved they were a great help to me when I wrote a feature on Rod’s Never a Dull Moment album for Record Collector back in 2014.
The whole package reeks of class – a lot of thought has gone into the presentation .
So to the contents and this is one big long drink of a set – so here we go…
Faces At The BBC: Complete BBC Concert & Session Recordings 1970-1973
CD 1:
John Peel’s Sunday Concert (Broadcast July 5, 1970)
“You’re My Girl (I Don’t Want To Discuss It)” */“Wicked Messenger” */“Devotion” */“It’s All Over Now” */“I Feel So Good” *
Typically ramshackle rough and ready performance with material from the Fiirst Step album. It’s very quint to hear John Peel ‘s between song comments.
John Peel’s Sunday Concert (Broadcast November 29, 1970)
“Country Comfort”/“You’re My Girl (I Don’t Want To Discuss It)”/“Too Much Woman (For A Henpecked Man) / Street Fighting Man”/“Maybe I’m Amazed”/“Around The Plynth / Country Honk / Gasoline Alley”
* Previously unreleased
A more mature performance including a cover of Elton John’s Country Comfort, a romp through the Stones Street Fighting Man , plus Gasoline Alley from Rod’s album of the same name. The stand out is a scintillating cover of McCartney’s Maybe I’m Amazed.
CD 2:
John Peel’s Sunday Concert (Broadcast May 23, 1971)
“You’re My Girl (I Don’t Want To Discuss It)” */“Cut Across Shorty”/“Love In Vain”/“Bad ’n’ Ruin” */
“It’s All Over Now” */“Had Me A Real Good Time” */“(I Know) I’m Losing You” */“I Feel So Good” *
* previously unreleased
Another assured performance – the live favourite (I Know) I’m Losing You is a stomer.
CD 3:
Sounds For Saturday (Broadcast April 1, 1972)
“Three Button Hand Me Down” */“Maybe I’m Amazed”/“Too Much Woman (For A Henpecked Man) / Street Fighting Man” */“Miss Judy’s Farm”/“Love In Vain” */“Stay With Me”/“(I Know) I’m Losing You”
* previously unreleased
As recorded for the BBC TV special – I watched this at the time. Absolutely exceptional performance in every way – The Faces right on top of their game..
CD 4:
John Peel’s Sunday Concert (Broadcast February 26, 1972)
Intro / “You’re My Girl (I Don’t Want To Discuss It)” */“Three Button Hand Me Down” */“Miss Judy’s Farm” */“Memphis, Tennessee” */“Give Me The Moonlight” */“Too Bad” *“Last Orders Please” *
“Devotion” */“That’s All You Need / Country Honk / Gasoline Alley” */“(I Know) I’m Losing You” *
“Stay With Me” */“Had Me A Real Good Time” /“Underneath The Arches” */“Every Picture Tells A Story” *
* previously unreleased
The introduction of numbers from the recently released Nods as Good as a Wink album sees the band on a real high, There’s a brilliant Every Picture Tells a Story too from Rod’s album..
CD 5:
In Concert (Recorded February 8, 1973) not originally broadcast
“Silicone Grown” */“Cindy Incidentally” */“Angel” */“Memphis, Tennessee” */“True Blue” *
“I’d Rather Go Blind” */“You’re My Girl (I Don’t Want To Discuss It)” */“Twistin’ The Night Away” *
“It’s All Over Now” */“Miss Judy’s Farm” */“Maybe I’m Amazed” */“Three Button Hand Me Down” *
“(I Know) I’m Losing You” *
* previously unreleased
Two songs from the just released Ooh La La album. This session was never aired due to the BBC’s concerns over the band’s on-stage banter with the rowdy audience!
CD 6:
In Concert (Broadcast April 21, 1973)
“Silicone Grown” */“Cindy Incidentally” */“Memphis, Tennessee” */“If I’m On The Late Side” *
“My Fault” */“The Stealer”/“Borstal Boys”/“Angel”/“Stay With Me”/“True Blue”
“Twistin’ The Night Away” */“Miss Judy’s Farm”/“Jealous Guy”/“Too Bad”
* previously unreleased
Four more from the Ooh La La album – great set list and performance.
CD 7:
Top Gear (Broadcast March 28, 1970)
“Wicked Messenger” */“Devotion”/“Shake, Shudder, Shiver”/“Pineapple And The Monkey” *
Dave Lee Travis (Broadcast March 15, 1970)
“Three Button Hand Me Down” */“Flying”/“Wicked Messenger” *
Top Gear (Broadcast September 19, 1970)
“Had Me A Real Good Time” */“Around The Plyth / Gasoline Alley”/“Country Comfort” *
Top Gear: John Peel’s Christmas Carol Concert (Broadcast December 26, 1970)
“Away In A Manger” – Rod Stewart */“God Rest Ye Merry Gentlemen / Good King Wenceslas / Silent Night / O Come All Ye Faithful” – Faces & Choir
* previously unreleased
This is a real coup -I remember reading about this session at the time. Marc and June Bolan are in the choir.
CD 8:
Sounds Of The Seventies (Broadcast May 3, 1971)
“Had Me A Real Good Time” */“Love In Vain” */“Oh Lord I’m Browned Off” */“Maybe I’m Amazed” *
Top Gear (Broadcast October 6, 1971)
“Stay With Me”/“Miss Judy’s Farm”/“Maggie May”
* previously unreleased
Another line up of vintage studio sessions.
Blu-ray:
Sounds For Saturday (Broadcast April 1, 1972)
“Three Button Hand Me Down” */“Maybe I’m Amazed”*/“Too Much Woman (For A Henpecked Man / Street Fighting Man” */“Miss Judy’s Farm”*/“Love In Vain” */“Stay With Me”*/“(I Know) I’m Losing You”*
* previously unreleased
Overall this is a truly stunning collection with many a highlight. It’s a real lasting testament to just how good The Faces were.
There’s a fair bit of repetition amongst the tracks but that is not a hindrance as every performance be it live or in the studio ,differs in the way it’s presented.
The Faces at The BBC is a fairly hefty outlay at £100 plus and there are not too many acts I’d consider investing so much on but in my view it’s worth every penny.
This is one of those box set collections that will have constant play ahead and not just be filed away. Its right up there with The Who’s Who’s Next set from last year and is definitely one of the best releases of the year.
Highly recommended and a cert for Christmas lists…
Faces Reissue producer Rob Caiger is now set to begin a reissue series of The Faces studio albums – and you can count me right in in for those…
Dave Lewis – September 19 2024

Coda – A Tribute To Led Zeppelin at Bedford Esquires Saturday September 28…

The always truly excellent Coda -a Tribute To Led Zeppelin are back at Bedford Esquires this Saturday September 28 – ticket details here –

https://tickets.ents24.com/event/coda-a-tribute-to-led-zeppelin/bedford-esquires/2799226?inf=880d6d596b2e986d

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DL Diary Blog Update:

Thursday September 19:

Fellow Silver Jubilee Park/School comrade Dick Conlon and I have been meaning to meet up for some time after seeing each other at the last Silver Jubilee school reunion and yesterday afternoon we finally did so.
I knew Dick and his brothers notably Brian and the late Andy (Paddy) back in the early 70s when we spent hours playing football over Jubilee Park as well as attending many a Bedford Town football match at the Eyrie.
We met over our former manor and had a drink and a good catch up in The Bull in London Road. We are both 68 now though Richard was in the school year above me as he was born in February and me September.
The talk was of our school memories, the various teachers and how much fun we had playing football, cricket and tennis ln the nearby park during the long school holidays when the sun always seemed to shine and I was known by my nickname Dobber.
We chatted about many old friends from around the manor – some of them now sadly departed.
We then cycled over to Lovell Road for a pic where Richard and his family lived and on through Jubilee Park and then stopped off at the site of Silver Jubilee school in Acacia Road. Finally it was over to Dents Road for a pic where I lived from 1957 to 1984.
It was all hugely nostalgic to be back in the area where so many of our childhood memories were formed and Dick and I had a fantastic time recalling the days of our youth and more.
You can take the boys out of Jubilee Park but you can’t take Jubilee Park out of the boys!

Friday September 20:

Just arrived – Bob Dylan and The Band The 1974 Live Recordings -the new 27 CD box set…
I remember avidly reading the tour reports in the NME and Melody Maker of Bob’s return to the stage all of 50 years ago when I was 17.
I had a Trade Mark of Quality bootleg as soon as it came out.
To have such an extensive coverage of the tour all these years later across a mammoth 27 CD set is a real treat…
That’s the next month’s playlist sorted and I am very much looking forward to wading through this amazing set…

Saturday September 21:

Saturday is platterday – on the player the 1974 Bob Dylan album Planet Waves – one of my favourites – I am very much looking forward to hearing the live versions of some of the tracks here that are featured on the new 27 CD box set The 1974 Live Recordings…

Sunday September 22:
It was 44 years ago today…
Here’s a poignant piece of Led Zep TBL history.
This is a last minute news story pasted up ready to be inserted in the then nearly ready to go TBL magazine issue 5. In those early issues I did all the pasting up of the magazine lay out from typed text.
This information was garnered by me from recent phone calls to their press officer Unity Mclean at the London Swan Song office. I wrote it on this day 43 years ago on Monday September 22 1980.
This story is full of optimism for Led Zeppelin’s future plans.
Four days later, John Bonham passed away and that optimism was all lost. Without their drummer, Led Zeppelin could not continue as they were…
The news story was therefore discarded from TBL issue 5 and was
replaced by an editorial tribute.
This paste up remains a poignant reminder of how things could have been before the events of September 25 1980 tragically dictated otherwise…
Monday September 23:

On the player celebrating his Birthday the brilliant Bruce Springsteen double album The River…

Monday  September 23:

It was 53 years ago…
Loading up the brilliant 3 CD bootleg set Led Zeppelin Reflections From A Dream on the Diagrams Of Led Zeppelin label.
This is a lively audience recording of the opening night of their five date Japanese tour as recorded live at the Budokan on September 23 1971.
They were on absolutely scintillating form on the whole of this tour which is regarded as one of their best …
Tuesday September 24:
Ahead of the 44th anniversary of John Bonham’s passing tommorow some vintage Zep on the player at the Pete Burridge record club at The Castle – 1969 BBC Sessions bootleg LP – my they were on form at those sessions …And Bonzo was brilliant…
Monday September 25:
John Bonham 44 years gone…
Paying my respects at Rushock – September 26, 2021…
The heart and soul of Led Zeppelin and so much more…
Always loved – always remembered…

Update here…

Back on the DL memoirs this week and recalling the events of May 1975 when Led Zeppelin performed five glorious nights at Earls Court – this takes the word count so far up to 50,000 – a long way to go but what I’ve chronicled so far I’m pleased with…

Thanks for listening 

Until next time…

Dave  Lewis – September 25 2024

TBL website updates written and compiled by Dave Lewis

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