Email This Post Email This Post
Home » Dave Lewis Diary, Headline, TBL News

BECOMING LED ZEPPELIN – THE INITIAL SCREENINGS ONE YEAR GONE/TBL ARCHIVE 1975 SNAPSHOT/VALENTINE’S DAY ROY HARPER 1974 & HONEYDRIPPERS RETURN 2007/ DL DIARY BLOG UPDATE

11 February 2026 33 views No Comment
Becoming Led Zeppelin – It was one year ago…
One year ago this week saw the launch of the brilliant Becoming Led Zeppelin film – the best thing to happen to the legacy of Led Zeppelin in years…
I am sure we all have such amazing memories of  watching the film unfold on the big screen – here’s some vivid recollections from the fantastic month of February 12 months ago…

Becoming Led Zeppelin screenings…feedback from out in the cinema…

My thoughts on the 6.10 screening at the BFI IMAX cinema…

So finally Becoming Led Zeppelin is up on the big screen and in cinemas across the world.
Like so many Led Zeppelin ventures through the years, it’s been a long time coming with many a twist and turn along the way.
Now the waiting is over…and let’s cut to the chase and go for a verdict.
This film is a simply brilliant portrayal of the first 14 months of Led Zeppelin’s existence. It succeeds on many levels not least for doing what is says on the tin. Becoming Led Zeppelin is just that.
Director Bernard MacMahon and writer Allison McGourty have dug deep to tell this story with passion, clarity and authority, never losing site of the need to keep the action moving.
Crucially, the action is interspersed by the interviews with the main players. Jimmy Page, earnest and sincere , John Paul Jones typically dry witted and Robert Plant always a master of a turn of phrase bringing a rich humour to it all.
The icing on the cake is of course the words of John Bonham captured from a 1972 Australian radio interview when Zep were on tour there. Relayed in that deep Midlands burr, Bonzo’s no nonsense comments offer a clear sighted view of what those early years meant to him.
How these four disparate characters came to form a unique bond is told via some evocative period piece footage accurately capturing the mood of post war Britain. We see the young players in their youth – the common goal for all four being they wanted to play music and forge a career out of it – in some shape or form. We see Jimmy watching that vintage clip of appearing in a skiffle band on the Hugh Weldon show in 1958 and later turning up at Olympic Studios for a session in 1965.
For the well heeled London based Page and Jones, the initial route in was on the studio session see where they applied their talent to many a hits of the era. Up in the Midlands, Plant and Bonham worked relentlessly playing on the local circuit. Quite where it was heading neither really knew.
There’s a great home movie clip of John and Pat marrying in 1966 that leads to Plant exclaiming ”Pat was always saying to John ‘Don’t go with that Planty he’s an absolute disaster!”
All this scene setting is accompanied by some fabulous 1960s archive footage and photos. In the pre Zep years Jimmy talks about the Shirley Bassey Goldfinger session at Abbey Road (JPJ was also on that session), we hear Robert and John on the Band of Joy’s demo Memory Lane. we learn of John Paul Jones’ studio arranging skills with the likes of Lulu and see Jimmy lighting up the psychedelic era Yardbirds.
By many a quirk of fate, in August 1968 the four find themselves in a rehearsal room in Gerrard Street -they play Johnny Burnette’s Train Kept a Rollin’ and the room explodes. More rehearsals at Page’s Pangboune home follow.
They perform together for the first time fulfilling some Yardbirds leftover dates in Scandinavia, record their debut album at Olympic Studios and under the maverick management of Peter Grant secure a mega recording deal with Atlantic Records.
No longer the new Yardbirds but a fresh new band with a new identity Led Zeppelin and ready to slay every audience they encounter.
That included a bunch of young people casually sitting around them in Studio 5 of the TV Byen building in Gladsaxe in Denmark on March 17 1969. This first collective sighting of Led Zeppelin in the film with each member being introduced by Plant, leads to an invigorating How Many More Times.
The use of frequent black and white newsreel footage of the events of the day helps demonstrate how the world was changing just as Led Zeppelin were breaking into the big time – and there was no bigger market for them to conquer than America.
Their impact was instant. Early cine film from various performances including the Fillmore East New York on January 31st, 1969,Laurel Pop Festival – July 11th, 1969 and the Texas Pop Festival and August 31st, 1969, captures the astonishing rise of the band.
There’s a bit of artistic license with some of the syncing notably a drop in of them arriving in Amsterdam in 1972 to illustrate an airport scene but overall the presentation of all this footage is very impressive.
I really liked the old fashioned use of background maps and billing adverts to explain their intense schedule as they travelled coast to coast. John Paul Jones tells of how tour manager Richard Cole would drive them from state to state often with few directions – there were no Google maps in those days. Various music paper clips also aid the flow of the story.
It’s worth stating that during the period this film mainly covers -August 1968 to January 1970, Led Zeppelin performed nigh on 180 concerts with 150 of them in America. Their work rate was quite phenomenal. The fact they also recorded and released two albums during that period is just astonishing.
During 1969 they played everywhere they could, as Plant comments ‘‘Man was up on the Moon just as we were playing in a tent.’’ (They played the Musicarnival venue in Warrensville heights on July 20).
Occasionally they played to a decidedly mixed reaction as a bizarrely wonderful clip of them performing Communication Breakdown on the mainstream French TV show Tous En Scene illustrates.
Another highlight of the film is the story of how both Led Zeppelin 1 and Led Zeppelin II evolved – told through some vivid recollections, studio photos and multi track recording extracts. The Whole Lotta Love and Ramble On sequences tell us much about Jimmy’s crucial producer role.
There are also some heartwarming clips of Page and Plant viewing the cine film of their June 28 1969 Bath Festival show. Be prepared too for several awe inspiring moments when the intros of tracks we know so well come blaring out.
Throughout the film there are several shivers down the spine moments. None more so that the truly spectacular performance of Dazed And Confused presented in colour from the Supershow film shot in the Linoleum Factory Hale Mill in Staines on March 19 1969. The musicianship of all four is superbly captured.
I am pretty sure I won’t be the only one who will well up during the clip of Jimmy Page performing White Summer/Back Mountain Side solo on the Julie Felix show in April 1970 – despite that slight master tape flaw it’s utterly captivating. This proved an emotional watch for me as it revived memories of the much missed late Andy Adams and I first viewing this back when it was a newly discovered clip as we prepared to stage the 1992 UK Zep Celebration Days Convention back in 1992.
The film culminates with footage from one of their first night of nights – the sold out Royal Albert Hall show on the night of Jimmy Page’s 26th Birthday on January 9 1970. As is noted by Page, that show occurred exactly 12 months to the day of their opening night at San Francisco’s Fillmore West. John Paul Jones reveals that his very proud dad was in attendance.
Becoming Led Zeppelin brilliantly captures all the momentum of that truly reliable period when the emergence of this astounding band changed the whole fabric of rock music.
Summary:
Nit picks and they are minor really. Yes they get the details of the Denmark TV clip wrong billing it incorrectly as being at the Teen Club in Gladsaxe. Their appearance there was a couple of days earlier on March 15.
The overall captioning is a little erratic. I would have liked to have seen more consistency in naming the locations of certain clips notably the French Tous En Scene TV appearance and the Supershow segment. A mention of the impact the BBC sessions had on their UK breakthrough would have been good to hear too.
None of this detracts much from the enjoyment of the film. There may be questions asked of the non appearance of the 1970 Bath Festival footage that surfaced on YouTube and the fact that there are no starling discoveries.
However, rather that rue over what’s not there I’d prefer to relish what is – yes I’ve seen most of this footage before but never in the clarity presented here and certainly not in such marvelous sound quality. The BFI IMAX screen and sound really is something to behold.
Had Led Zeppelin imploded after these first couple of years it would still be an amazing story. In fact it might be argued Led Zeppelin peaked early. That’s one for the Zep debating groups.
The fact they would go on to cast a giant shadow over the musical landscape in all corners of the world throughout rest of the decade is the emphatic answer to that theory.
What this film captures so effectively is a band in the throes of greatness.
Like The Beatles at the Cavern, The Rolling Stones at the Crawdaddy Club and The The Who at the Marquee, they are at that key point of discovering new strengths in their playing at every move.
The intensity of the connection of the four on stage is quite staggering. Like any fledgling career, that intense initial musical wonderment is deeply ingrained in the memory.
That is more than evident in the final scenes as the cameras pan on each of them having recalled this remarkable rise. There’s a look of almost bewilderment between the three as to what they achieved as a group with such immediacy. Robert Plant looks quite watery eyed.
So we leave them Jimmy Page, Robert Plant and John Paul Jones pondering the past, no doubt thinking of John Bonham as his voice booms out and reflecting on the impact it’s all had on their lives.
That impact has clearly influenced each and every fan of the band.
I came away from watching Becoming Led Zeppelin tonight with a deep sense of pride for being a lifelong fan.
I also came away knowing that watching this two hour extravaganza unfold, has made me love Led Zeppelin even more than I thought I did – and that really is a testament to the cinematic creativity applied by Bernard MacMahon and Allison McGourty in finally bringing this fantastic film to fruition.
Dave Lewis – February 5 2025
Simon Partington’s view…
I thought it was an excellent film. Hearing the band talk about their early life and careers was really interesting and they clearly still have huge affection and respect for each other. The interviews were great and seeing the reactions of John, Robert and Jimmy to the recordings of Bonzo’s interviews was quite emotional. No parade of talking heads, just excellent recollections from the band themselves and some superb live clips and recordings. Anyone who hasn’t seen it yet, make sure whichever cinema you see it at has a good sound system. The songs are played mostly in their entirety, studio recordings from II are stunning quality, rich and clear, best I’ve heard anywhere ever.
Rajesh Sharma’s view…
I attended the BFI IMax screening of Becoming Led Zeppelin on 5th Feb in London. The quality of the sound was excellent. It was almost as if the band were performing behind the screen. I never got to the Zeppelin live but by hearing and watching some of their numbers at the IMax, I could appreciate why they took the world by storm. The sheer power and musicianship was something to behold. I loved the way John Bonham’s voice was seamlessly interwoven with interviews with the surviving band members. That was such a treat. It would also have been great to see an interview with the late Peter Grant since he was so crucial to the meteoric rise of the band. All in all, a superb evening.
BFI IMAX Screening – February 5 2025:
Janet and I had a truly fabulous night at the screening of the Becoming Led Zeppelin film at the BFI IMAX cinema last night.
It was so great to catch up with many fellow Zep comrades including Chris Welch (the first UK journalist to write about Zep back in 1968) , Patrick Humphries, Mark Hayward, David Stark, Manique Baker (who worked at the Swan Song office) Toby Woby , Richard Grubb, Krys Jantzen, Kam and Julie Assi, Guy Haslam, Dave Linwood, Dave Fox, Simon Pallett and Rudi O’Keefe.
 Bernard conducted an excellent Q and A after the film screening. it was very poignant to hear that Bernard’s interest in Led Zeppelin had been inspired by  the late much missed Howard Mylett’s paperback book on the band – one of the first Zep books.
After the screening we chatted in the bar to the film directors and writers Bernard MacMahon and Allison McGourty and others who had worked on the film..
It was a heartwarming occasion and wonderful to be in the company of so many like minded people who hold this amazing band in such high esteem – perhaps even more so having seen the brilliant Becoming Led Zeppelin…
I’m back at the BFI IMAX tonight for the 8.30 showing…you can never see this film enough!

 

———————————————————————————————————————————————————

TBL Archive – Led Zep 1975 Snapshot:

With the 51st anniversary of Led Zeppelin’s activities in 1975 upon us -I will be celebrating this era with a series of TBL Led Zep 1975   Snapshots – these will take the form of postings covering specific gigs and events from the era, with particular spotlight on the period January to May 1975.

This is designed to track the progress of the year as it unfolded. I will also be listening to the relevant bootleg of the chosen gig on the day to add a perspective of how it sounds 51 years on.

This is where things really get going…

TBL Led Zep 1975 Snapshot: Number 5

WEDNESDAY FEBRUARY 12th, 1975

NEW YORK, NEW YORK

MADISON SQUARE GARDEN 

Set: Rock And Roll/Sick Again/Over The Hills And Far Away/In My Time Of Dying/The Song Remains The Same/The Rain Song/Kashmir/No Quarter/Trampled Underfoot/Moby Dick/Dazed And Confused (inc. San Francisco)/Stairway To Heaven/Whole Lotta Love – Black Dog/Heartbreaker (inc. That’s Alright Mama).

Background Details:

Whilst in New York, for recreation, Jimmy went to see Linda Ronstadt in New Jersey with ex-James Gang member Joe Walsh.

Writer and future film director Cameron Crowe is travelling with the band with a view to arranging a cover story for Rolling Stone magazine. Crowe builds up a good rapport with the group (he later contributes the sleeve notes to The Song Remains The Same soundtrack album) and interviews all four members, finally capturing Page at the Plaza Hotel during their Madison Square stint. Page, though none too happy with the paper’s previous coverage of the group, reluctantly agrees to a group photo session after much persuasion.

Cameron Crowe remembers: “Time was running out but I got Ben Fong Torres at the magazine’s office to hold the cover. Photographer Neal Preston reserved a room at the Plaza and set up a backdrop. It was the band’s day off (February 11). The members were informed of the afternoon shoot but mysteriously that morning Page disappeared from the hotel. Plant was first to arrive at 4PM, his shirt ‘accidentally’ open, his hair ‘accidentally’ perfect, then Jones and Bonham. Joe Walsh was there with his then manager Irving Azoff to help their friend Jimmy through this most tender ordeal. Page was still nowhere to be seen.

“Finally, Page arrived. In his arms were two bouquets of dead roses – his defiant statement for the cover of Rolling Stone. He explained his delay: ‘I was looking for black roses. They exist you know!’ He looked around the room. ‘Let’s do this quickly!’

“The session began. Three of the four members of Led Zeppelin struck a conciliatory pose, but the fourth Jimmy Page – held roses and stared through the camera. It was his chilling look that made the photo. The film was rushed to the lab and I flew home to San Francisco to write up the story. I had decided it would be a question and answer feature – that’s how good the interviews were.

“The call came early next day. There had been an equipment malfunction. The film was unusable; barely exposed was a dark silhouette of what might have been a Rolling Stone cover to rival the best. The cover was hastily switched to a tinted live Preston shot. That turned out nicely – and the issue with Zeppelin on the cover was a huge seller. It’s just a shame Page’s defiant stance was never seen.”

Snapshot Listen:- How it sounded today:

I’ve had this show for some years on the audience recording Can’t Take Your Evil Ways (Diagrams Of Led Zeppelin). In 2001 it then surfaced on the Empress Valley label as Flying Circus as a very well balanced soundboard recording. This was a revelation at the time and I recall a very excited Mark Harrison ringing me to tell me how good it was. And it is good -very good indeed and playing it today the whole thing sounded great. This is the point where the US tour really began to take off.

Robert is quick to comment on the snow that was surrounding the city at the time: “We came four blocks in the snow to get here… you realise that? People were calling me on the telephone today and saying ‘Is it gonna be on?’ For a minute I was wondering about my anatomy, then I realised there was some discrepancy about the weather. Isn’t it good though that it snows? Doesn’t it change the vibe of the city? I think it’s great!”

No Quarter expands with a lovely electric piano sequence and a wah wah fest from Page that has the feel of the electric fusion Miles Davis pioneered on the likes of Bitches Brew. Trampled Underfoot has a particularly expressive solo from Page.  Dazed And Confused continues to extend with the San Francisco sequence sounding very spaced out and brief section from Walter’s Walk which would eventually surface on Coda. The outro features those West Side Story licks.

Thee final encore of Heartbreaker is preceded by some lines from You Shook Me- during the solo they move into an impromptu version of That’s Alright Mama’ A perfect end to a perfect party. Plant: “Ladies and gentlemen of New York… you’re too much… and we ain’t so bad ourselves!”

Indeed they were not….

TBL Led Zep 1975 Snapshot: Number 6:

THURSDAY FEBRUARY 13th, 1975

nass 1

UNIONDALE , NEW YORK

NASSAU  VETERANS MEMORIAL COLISEUM

Set: Rock And Roll/Sick Again/Over The Hills And Far Away/In My Time Of Dying/The Song Remains The Same/The Rain Song/Kashmir/No Quarter/Trampled Underfoot/Moby Dick/Dazed And Confused (inc. San Francisco)/Stairway To Heaven/Whole Lotta Love – Black Dog/Roll Over Beethoven/Communication Breakdown.

Snapshot Listen:- How it sounded today:

I have this on the Throwing The Wild Seeds box set. Another fine performance. Dazed And Confused contains much improvisation. Page’s injured finger is causing less problems now. Whole Lotta Love tonight includes the theremin for the first time on the tour during a funky interlude prior to leading into ‘Black Dog’.

Ronnie Wood then on tour with The Faces, comes on for the final encore of ‘Communication Breakdown’. Robert sings a few lines of Chuck Berry’s Roll Over Beethoven while the guitars are being sorted out. Communication Breakdown itself is greatly extended and clocks in at over nine minutes with both guitarists taking solos. One of the all time great Zep jams.

 TBL Led Zep 1975 Snapshot: Number 6:

FRIDAY FEBRUARY 14 1975

UNIONDALE, NEW YORK

NASSAU VETERANS MEMORIAL COLISEUM

Set: Rock And Roll/Sick Again/Over The Hills And Far Away/In My Time Of Dying/Since I’ve Been Loving You/The Song Remains The Same/The Rain Song/Kashmir/No Quarter/Trampled Underfoot/Moby Dick/Dazed And Confused (inc. San Francisco)/Stairway To Heaven/Whole Lotta Love – Black Dog/Heartbreaker.

Background Info: Mike Tremaglio recalled: One of my friends saw this show from the 14th row.Unfortunately he could not score tickets for my brother and I – not that I held it against him as I got him tickets for the June 7 1977 New York show. We asked him to log down all the details of the Nassau show  and we  did get a blow by blow account of the new songs from Physical Graffiti a full two weeks before it was released in the U.S. His recall was tremendous and I can remember him describing  In My Time of Dying and Kashmir in real detail.

……………………..

Snapshot Listen:- How it sounds now:

I have this on the Nassau 1975 (TheDiagrams Of Led Zeppelin) audience version. I’ve been listening to this show today via the soundboard recording that surfaced a few years back as released on the Scorpio label and as part of the Godfather Throwing The Wild Seeds box set .

It’s one of my favourite performances of the 1975 US tour.

Plant is just about regaining his vocals strength after the problems of the past weeks. He is also on his spieling best form developing one of those band to audience rapports he was so good at.

Witness his opening statements:

“Today is one of the last of the pagan traditions that is carried on into the 20th Century. It’s the day for throwing the wild seeds. In fact, now they call it St. Valentine’s Day… so, happy St. Valentine’s Day! I think we should dedicate this whole show to St. Valentine.”

nas 2“Tonight, we intend to take a knife and cut right through the glorious ice cream of Led Zeppelin. You get a little bit of vanilla, a little bit of chocolate, a little bit of colour and a little bit of everything”

And more..

“We came here in a state of ah, Jimmy managed to get to sleep at three o’clock this afternoon, and he was up again at four thirty. So we didn’t really know whether we had the strength to walk on the stage, but we have, and it’s feeling good. We were, we spent a few hours with St. Valentine last night, you see?”

The playing throughout is wonderfully loose and informal and there’s another great moment as Plant is introducing No Quarter” Page plays the opening notes to Train Kept A-Rollin.  “We’re going through our whole live history here, just flashing on different numbers” Plant adds.

The set list is notable for the inclusion of Since I’ve Been Loving played live for the first time since the 1973 US tour. Plant: “Who knows what it’s gonna sound like, but it’s something we really used to dig playing”. There’s a masterful ad-lib during the song where he sings the ‘I’m about to lose my worried mind” refrian and adds ”I seem to remember I used to say for five minutes”

”This is one that regulars that come here know quite well…but you’ve still yet to hear the recorded version…this is a track about another of life’s journeys that never end..this time in Kashmir”

Kashmir was a number that they were obviously itching to play live and with Plant’s voice suitably recovered they turned in a majestic Valentines’ Day performance in Nassau. Page strumming down relentlessly on the Gibson behind Bonham’s castinet like drumming.

Plant showing renewed confidence to throw in the echoed vocal nuances that became such an Earls Court trademark. Listening to this delivery re emphasis my opinion that the best live versions of Kashmir  were all played in the year it was released on record.

No Quarter features John Paul Jones at his best tonight and his improvisation takes the number to 20 minutes in duration.

Dazed And Confused is a marathon 30 minute plus excursion and the encore delivery of Heartbreaker leads into an impromptu version of Elvis’ Mess Of Blues

Tangerine was of course a surprise inclusion at the Earls Court shows performed as a four part harmony. However perhaps they were already toying with the idea of bringing it back during the American tour. For on this night prior to Stairway To Heaven Plant let out a few lines from the long deleted Zep III stage fave. ”Measuring a summers day”…adding ”I’ve forgotten the words”. It was a brief teaser for a song that would again light up those memorable May days to come.

The prelude to Earls Court was on – and the prospect was a very favourable one …

Dave Lewis –February 9 2025

To be continued…

————————————————————————————————————————————–

More Valentine’s Day:

February 14th has been the date of a fair few Zep related happenings over the years, not least for it being the second night of the aforementioned and rightly acclaimed Nassau Coliseum gigs in 1975. This show has been released as a soundboard recording, notably on Godfatherecords recent box set Throwing The Wild Seeds. The 6 CD box set also has the previous night’s recording when they were joined on stage by Ronnie Wood for an encore performance of Communication Breakdown

Exactly a year previously in 1974 Jimmy took to the stage to join Roy Harper. I did consider going to this but was slow on the tickets and had to make do with the consolation of Roy’s very fine album Valentine which I purchased the day it came out ( I need to sort that one out and play it today) – Here’s the gen from this one:


THURSDAY FEBRUARY 14 1974 – LONDON RAINBOW THEATRE

Jimmy Page, Robert Plant and John Bonham are all in attendance for Roy Harper’s St. Valentine’s Day concert. Jimmy, resplendent in a Chinese jacket decorated with hummingbirds, joins Roy’s all star band comprising Keith Moon (drums), Ronnie Lane (bass) and Max Middleton (keyboards) for numbers including ‘Same Old Rock’ (playing a Martin acoustic), ‘Male Chauvinist Pig Blues’ and ‘Home’ (playing the Gibson Les Paul) and ‘Too Many Movies’. ‘Home’ includes a cameo appearance from John Bonham who comes on strumming an acoustic guitar, dressed in a red jacket and black tights and sporting a pork pie hat. Finally, Robert Plant strolls on at the end to act as MC to declare to the crowd: “Ladies and Gentlemen – Roy Harper!!”

Some of this set was later issued on Roy’s ‘Flashes From The Archives Of Oblivion’ double album. Harper dubbed this one-off line-up as The Intergalactic Elephant Band.

Jimmy Page: “We maybe played a few wrong notes here and there, but what the hell -the spirit of the thing was great.”

……………

Fast forward to Valentine’s Day 2007. On that day Robert Plant regrouped The Honeydrippers for a special charity and birthday performance for long time soundman the late great Roy Williams. Staged at the JB’s club in Dudley, it was a memorable night which I was lucky enough to attend. This piece is dedicated to Roy who sadly passed away in 2020.

WEDNESDAY FEBRUARY 14TH 2007. RETURN OF THE HONEYDRIPPERS –JB’S DUDLEY

Set List:

Mess Of Blues, Little Sister, She Little Sheila, Gonna Work Out Fine, Black Magic Woman, I’ve Been Loving You, Put A Spell On You, Big Log, Down In The Bottom,Can’t Be Satisfied, Rattlesnake Shake, Crossroads, Big Hunk Of Love, Daddy Rolling Stone, Encores: Stormy Monday/ I Can’t Quit You Babe, I’m Comin’ Home, What I’d Say.

Here’s the DL diary entry from the day after:

Honeydrippers Rockola and surprise Beckola in the Midlands:

Just back from a whirlwind stop over in Dudley to catch The Return Of The Honeydrippers charity show at JB’s Club. And quite a night it was. Mike Sanchez and The Big Town Playboys got the evening off to a suitably rocking start with an hour long set of pure roughshod rock’n’roll aided by Ricky Cool and Andy Silvester. Before the main event there was a real surprise. Jeff Beck strolled on the stage, white Statocaster in hand to perform three instrumental jams supported by a two man rhythm section with the Playboys Ian Jennings on bass. Looking for all the world like he’d stepped off the set of that famous Yardbirds club appearance in the Blow Up film, he proceeded to deliver those familiar guitar histrionics that has carved his legend. The total surprise element in viewing one of the pioneering guitarists of all time, right there just a few feet away was absolutely startling. Scrubbing the axe for all it’s worth, finger picking up the fret – this was a masterclass of electric guitar playing. This man still has it … In droves.

Then followed the return of The Honeydrippers. Witnessing the singer back among friends, effortlessly guiding the enthusiastic audience through the backwaters of his record collection was a total joy. Highlights: The back to back Elvis Mess of Blues/Little Sister opening, Robert taking a backing vocal role to Mo Birch’s lead on Gonna Work Out Fine, a beautifully laid back Black Magic Woman, a nostalgic Big Log with Robbie Blunt recreating the spirit of ’83, Muddy’s Just Can’t Be Satisfied with Robert on harp and a vibrant Daddy Rolling Stone with great back up vocals from Mo and Nadia Pearson. In the encores they even did a version of Delaney And Bonnie’s Comin’ Home, one of my all time faves and a single I brought when it first came out back in 1970.

Forget The Police and anyone else rumoured to be reforming … 26 years to the day of their first gig, The Honeydrippers made this the only reunion worth talking about around these parts … and provided a memorable 60th birthday for ( the much missed) sound engineer Roy Williams.

DL – February 15th 2007.

The latter statement was a bit of a long shot because at the time there were no rumours of what was to follow come December. Little did I realise the extraordinary events that would unfold in the coming months – with all roads eventually leading to the 02 Arena and that night of nights..…

More feedback of the gig via these original TBL website tour watch posts:

This review by Colin Martin Rumors were flying all day as who would be performing alongside Robert on the 26th anniversary of the first Honeydrippers concert. Jimmy Page? Jeff Beck? Inside JB’s watching people mingling around. I soon spotted Bernie Mardsen and then Bev Bevan. After asking Bev was he performing he said no and Bernie said maybe. Soon The Big Town Playboys and MIke Sanchez (featuring Clive Deamer on drums) were blazing away through their own brand of rock and roll songs when Jeff Beck was spotted walking up the stairs alongside the stage. After agreat set by the Playboys the MC announces a special guest slot. On walks Jeff Beck along with bassist and drummer and precedes to play some storming guitar work. Its amazing to see the speed of his fingers over the strings.

In no time at all his short set was over and finished. And then the headliner strolls on to stage. Looking relaxed and slimmer that at Kidderminster. Soon talking to the crowd about the various songs and the association Robert has to them. Same musicians as at Kidderminster, however, it was featuring more front line vocals from Mo Birch. Robert and Mo had to switch microphones at one stage as she still had Robert’s mic after her lead. Again highlight of the evening was the interaction between Robert and Robbie Blunt on Big Log. Before the band kicked off again with the encores Robert wished soundman Roy Williams a happy birthday. The only question left was who would play on the encores and the answer was only a guest drummer, an unannounced youngster. And then it was all over until next time. See expressandstar.com for photos and film of the show. In the report it states Clive Deamer played with Jeff Beck. This is incorrect. Drummer was unannounced.

This review by Trevor Wilkinson Good to see you at JB’s and what a great show! Mike Sanchez at his usual greatness rocking the house and then a fantastic surprise as Jeff Beck appeared and blew the audience away. RP was very relaxed and obviously enjoying himself performing music from his roots, he also looked fitter and somewhat leaner than he’s been for a while so maybe he’s been taking advantage of the mild spells over the last couple of months and playing a bit of tennis in Stourbridge. Big Log and a few musical Zep references were well received by the capacity audience. After show party was nice and laid back with some tasty crisps and munchies as well as plenty of Midlands musos and the Strange Sensation lads in attendance. Hope there’s gonna be some more real soon.

……………………………

 And yet more Valentine’s Day:

Valentine’s Day TBL Playlist… 

I  have a playlist that that randomly sequences the more wistful and romantic  side of Zep, Page & Plant moments – it includes

Tangerine, Moonlight In Samosa, Wonderful One, The Greatest Gift, That’s The Way, When I Was A Child, Like I’ve Never Been Gone, Ten Years Gone, Come Into My Life, Down By The Seaside, Stick With Me Baby, Blue Train, I’m Gonna Crawl, Heart In Your Hand, Thank You, The Rain Song, Song To The Siren, Going To California, In The Light, I Believe, Ship of Fools, Sea Of Love, Please Read The Letter, Our Song, All My Love, Thank You etc – you get the idea.

Aside from Zep, I’d list Frank Sinatra’s In The Wee Small Hours, Burt Bacharach’s Hitmaker, Otis Redding Otis Blue, Dusty Springfield In Memphis and David Bowie’s Young Americans as definitive Valentine’s Day play.

In the light of all that here’s the DL Valentine’s playlist –  some of the most romantic and deeply touching love songs ever written in the view of your TBL editor:

Ten Years Gone – Led Zeppelin

True Love Ways -Buddy Holly

Can’t Help Falling In Love – Elvis Presley

Full Moon –Sandy Denny

Lay Lady Lay – Bob Dylan

Northern Sky –Nick Drake

Oh My Love –John Lennon

Come In To My Life – Robert Plant

Cupid – Sam Cooke

Our House – Crosby Stills Nash & Young

Tangerine –Led Zeppelin

I Don’t Wanna Miss a Thing – Aerosmith

If I Can’t Have You -Yvonne Elliman

You Make Loving Fun – Fleetwood Mac

Kate Bush – The Man With The Child In His Eyes

And I Love Her – The Beatles

Let’s Stay Together – Al Green

Have I Told You Lately That I Love You – Rod Stewart

If Not For You – Bob Dylan

God Only Knows – The Beach Boys

Do What You Gotta Do – The Four Tops

Loving You is Sweeter Than Ever -Bryan Ferry

You Are Everything – Diana Ross & Marvin Gaye

Baby I Love Your Way – Peter Frampton

Nobody Loves You Like I Do – Greg Lake

Ship Of Fools – Robert Plant

The Rain Song – Led Zeppelin

Here, There And Everywhere – The Beatles

Angie – The Rolling Stones

I’m Gonna Crawl – Led Zeppelin

Word On A Wing – David Bowie

The Greatest Gift – Robert Plant

Something – The Beatles

Wonderful One – Jimmy Page & Robert Plant

I’d Have  You Anytime – George Harrison

Maybe I’m Amazed – Paul McCartney

No More Lonely Nights – Paul McCartney

Head Start To Happiness – The Style Council

You’re The Best Thing – The Style Council

Tiny Dancer – Elton John

Thank You – Led Zeppelin

Little Wing – Jimi Hendrix

Forever Young – Bob Dylan

Winter – The Rolling Stones

If You Really Want To Be My Friend – The Rolling Stones

We’ve Only Just Begun – The Carpenters

I’ve Been Loving You Too Long – Otis Redding

Let’s Get It On -Marvin Gaye

Still In Love With You – Thin Lizzy

Loving You – Minnie Riperton

Help Me – Joni Mitchell

Love Song – Lesley Duncan

Loving And Free – Kiki Dee

One For My Baby –Frank Sinatra

The Look of Love – Dusty Springfield

The Faces  – Love Lived Here

Your Song – Elton John

Say a Little Prayer – Aretha Franklin

Can You Hear Me? – David Bowie

I’ll Be There – Bobby Darin

You Do Something To Me -Paul Weller

All My Love – Led Zeppelin

————————————————————————————————————————————————————-

DL Diary Blog Update

Thursday February 6:

DL/TBL Throwback Thursday – Retro charts and adverts this week in 1983…

        

Friday February 6:
It was 63 years ago today…
63 years ago today The Beatles made the second of their three appearances in Bedford . Following a gig at the Corn Exchange in December 1962, they appeared on a package show at The Granada Cinema – performing two at 7pm and 9.10 on the bill with Helen Shapiro as the headline act.
They were back for two more shows at the Granada on March 12 – with John Lennon ill they appeared that night as a three piece.
I wrote about all this in the weekly Pop Focus column I contributed to the Beds Times back in the mid 80s. This one is from July 24 1986. My call out back then brought forth a fair few people who saw them back then.
I am sure there are readers of this post that remember when The Beatles performed here and the many other amazing package tours that played at the Granada – I was at the April 12 1964 show aged seven that featured The Dave Clark Five ,The Kinks and The Hollies. What memories indeed…
Saturday February 7:
Saturday is platterday – on the player the excellent Al Stewart album Love Chronicles – a newly acquired Japanese pressing with Jimmy Page mentioned on the cover as he contributed to this album – thanks to my record collecting comrade John Parkin for tipping me off about this gem…
Saturday February 7:

It’s a Happy Birthday to Deborah Bonham – I have many a treasured memory of being in this lovely lady’s company…Happy Birthday Deb!

Saturday February 8:

Saturday is platterday – on the player the excellent Al Stewart album Love Chronicles – a newly acquired Japanese pressing with Jimmy Page mentioned on the cover as he contributed to this album – thanks to my record collecting comrade John Parkin for tipping me off about this gem…

Monday February 9:
It’s a Happy Birthday to Mr Gary Foy – long time Led Zeppelin fan, massive support to me and all things TBL over many years and all round top man. I have shared many a memorable moment with Gary in following the fortunes of the musicians that have shaped our lives.
Happy Birthday from Janet and I -have a great day mate…

Wednesday February 11:

It was 63 years Ago today:
On the player The Beatles’ exhilarating debut album Please Please Me. On this day in 1963, The Beatles went into Abbey Road Studios and within the space of ten hours and under the supervision of George Martin, recorded ten tracks to add to the two A and B sides of their first two singles they had already recorded.  A very fruitful hard day’s night in completing their debut LP…
Update here:
It’s been a bit of a low key start to the year – the wet weather  seems to go on and on and the rather worrying fortunes of Tottenham Hotspur have hardly been inspiring. I felt I lost January a bit recovering from after my fall on the ice.
There has been a sorting out of the DL archive and to that end, I had a visit from David the main man at Black Circle Records to offload some excess books and records – nothing too substantial in the latter department about 80 odd LPs – spares and standard fare. It has made a bit of room and I am on a quest to get my paper archive in some palpable order in the loft.
It’s been great to revive memories of last year’s initial screening of the Becoming Led Zeppelin film – what a time that was and there’s been a suitable playlist of early Led Zep echoing around these parts notably the first two albums which of course is always a tonic…
Until next time…

Dave  Lewis –  February 11 2026

TBL website updates written and compiled by Dave Lewis

Follow TBL/DL on Facebook:

https://www.facebook.com/tightbutloose.loose

1 Star2 Stars3 Stars4 Stars5 Stars (No Ratings Yet)
Loading...

Leave your response!

Add your comment below, or trackback from your own site. You can also subscribe to these comments via RSS.

Be nice. Keep it clean. Stay on topic. No spam.

This is a Gravatar-enabled weblog. To get your own globally-recognized-avatar, please register at Gravatar.