Email This Post Email This Post
Home » Dave Lewis Diary, Featured, TBL News


26 January 2023 1,051 views 2 Comments
VIP Victoria Record Fair Saturday January 28 2023 – Five Glorious Nights Led Zeppelin at Earls Court May 1975 book launch…

I will be in attendance at the VIP Victoria Record Fair this Saturday January 28 signing copies of my new book Five Glorious Nights Led Zeppelin at Earls Court 1975 at the TBL/Rufus publishing stall.

Here’s all the info:

Led Zep author Dave Lewis will be in attendance at the VIP Victoria Fair launching his new Led Zeppelin book and copies will be on sale on the day.

Full details below:

Five Glorious Nights – Led Zeppelin At Earls Court May 1975

A photographic record compiled by Dave Lewis (Rufus Publishing)

In May 1975, Led Zeppelin performed five momentous concerts at the Earls Court Arena in London to a combined audience of 85,000 fans. This was a band  at the peak of their powers slaying the sold out audiences with a nightly marathon three and a half hour presentation of light, sound, power and energy.

There’s no doubt that Led Zeppelin’s Earls Court appearances represented a career high for the band and four decades on, are still held in the highest esteem by the vast following.

Five Glorious Nights –Led Zeppelin at Earls Court May 1975 captures the sheer visual magnificence of the band though the images of some of the finest rock photographers of the era who were right there on the spot to capture rock history.

Compiled by renowned Zep authority Dave Lewis, this new 320-page revised and expanded edition offers a permanent visual record of a band at their absolute zenith – in a setting that truly justified their status as the world’s greatest live attraction. The book features over 250 black and white and colour photos plus over a 100 memorabilia images.

It comes in two versions – the standard edition is a 230mm square hardback format in a printed sleeve with slip case and four prints and is on sale on the day for a bargain £50.

There’s also an exclusive Leather and Metal Edition, measuring a huge 375mm square, bound in recycled burgundy leather and supplied in a hand-made aluminum slipcase with a reproduction show poster. Only 100 of these are available and includes the standard edition.

More details at:

Some feedback from satisfied readers:

This is a magnificent celebration of Led Zeppelin’s stratospheric five evenings at Earls Court in May 1975. The different size format works superbly and takes us on a fantastic journey across nights seldom seen and the additional Adrian Boot photos from 23 May are sensational.

Ian Saikia – UK 

Led Zeppelin functioned on a different level in their live performances, that level reached a pinnacle in May 1975 with five nights at London’s Earls Court arena. Dave Lewis has put together a beautiful photographic chronicle of those nights. Packed full of rare photographs, memorabilia and more. Five  Glorious Nights Revised and Expanded perfectly preserves those legendary evenings with Led Zeppelin.

Ed Ortiz – US

Led Zeppelin Five Glorious Nights – Revised & Expanded Edition- is a complete privilege to have received. The book drives me directly into Earl’s Court. A  riveting and a compelling account of the legendary Led Zeppelin shows. The images and descriptions create a vision of the prestigious evenings that took place in 1975. “Just a little world to get lost in occasionally” as Robert Plant stated.

Wanda Wooten – US

And the press view…

Noted Zeppelin archivist Dave Lewis has compiled a lavish mostly chronological photographic record of their 1975 shows. Revamped with a host of new photographs. What shouldn’t surprise but actually does, is just how beautiful page and Plant were. 

John Azlewood – Classic Rock 

VIP Victoria Record Fair Info:
Saturday  January 28 2023

Horticultural Halls, 80 Vincent Square, Victoria, SW1P 2PB.
London’s very own Vinyl Fest. – the biggest and busiest Record Fair in the

Admission 12 noon £5. Early entry £10 at 10am. Doors close 5pm.

More details and advance ticket info here:

LZ News

Led Zeppelin News Update:

Here’s the latest round up from LZ News:

Upcoming events:

2023 – The second Band Of Joy album titled “Band Of Joy Volume 2” will be released, an expanded edition of the Honeydrippers album “The Honeydrippers: Volume One” will be released and the remastered and expanded thirtieth anniversary edition of “Coverdale–Page” may be released.
January – An updated and expanded edition of Luis Rey’s “Led Zeppelin Tape Documentary” book will be published.
February 5 – The 2023 Grammy Awards ceremony will be held. Robert Plant and Alison Krauss are nominated for three awards.
Spring/Summer – Robert Plant will tour the US with Alison Krauss.
April 28 – Robert Plant and Alison Krauss will perform at the New Orleans Jazz & Heritage Festival in New Orleans, Louisiana.

Many thanks to James Cook

For all the latest Zep and related news check out the Led Zeppelin news website at:

Led Zeppelin 1 – it was 54 years ago this week.. to mark the 53rd anniversary of the debut Led Zeppelin here’s some facts, figures and thoughts on it all…

January 20, 1969 – Led Zeppelin debut album released:

Despite often being attributed to either Sunday, January 12, 1969 or Friday, January 17, 1969, the correct “official” release date of the debut album might well have been Monday, January 20, 1969. As Mike Tremaglio flagged to me – this release date was referenced in an Atlantic Records memo accompanying white label advance LPs issued to radio stations by June Harris on December 30, 1968.

The album debuted on the Billboard charts at #99 on February 15, 1969 and peaked at #10 on May 17, 1969. It managed to stay in the top twenty LPs for 30 consecutive weeks, from March 8, 1969 through September 27, 1969

Many thanks Mike for that info.

Here’s one of the first reviews of the album:

January 25, 1969 – Press Review:

Go magazine (first album review):

Led Zeppelin (Atlantic): This is the new group that Jimmy Page has formed after the demise of The Yardbirds. Their first album is a blockbuster. The sound centers around hard, tough blues. You can’t help getting caught up in its excitement and drive. The one track on the album which really spotlights the group and what it’s going to do is Babe I’m Gonna Leave You. It’s a beautiful hard blues piece which has a mesmerizing quality. Led Zeppelin is something you shouldn’t miss.




On the player…

…thoughts on listening to Led Zeppelin I:

At two minutes, 43 seconds, this is a perfectly compact overture to set the scene. Bonham and Jones hold down a powerful and inventive rhythm section, and when the time comes, Jimmy flexes the Telecaster (played through a Leslie speaker to create that soaring effect) in a late Yardbirds-era fashion. From the onset though, it’s Robert Plant’s vocal that strikes home instantly. He executes all manner of vocal somersaults with the lyric but never loses control. Bonham’s intricate bass drum patterns, the rolling bass lines from Jones and Page’s fluttering guitar solo were all applied with a gusto that still completely overwhelms. Memories of the 02…

Within three minutes of this album playing we have an acoustic guitar – proof that this band were not going to be all about Marshall amplifiers. The tension here is tangible – the first flowering of light and shade – there would be much more to come…


Willie Dixon’s’ blues played with what was then a new found dynamism. The expansiveness of the whole sound here is still incredible. An early example of Jimmy’s mastery of the studio. From Jones’ swirling organ through Plant’s harmonica wailing to the point where Jimmy’s solo cascades around Bonzo’s stereo panned tom-tom attack, this is prime vintage Zeppelin. And the final incessant by-play between Page and Plant that leads out of the track is a another masterful production technique, and one that would be further emphasized on stage.

Straight into Dazed…based on Jake Holmes original composition. As we all know Jimmy and co were not adverse to borrowing a few licks here and there as much as they were often derivative it always came out sounding completely fresh. Again the interplay amongst them all is just breathtakingly….flippin heck they were good….

Turn over…side two…


Electric guitars, acoustic guitars and then church like Hammond organ and what an intro…

This showcases how important John Paul Jones was going to be – beautiful acoustic guitar overtones, incredible vocal, John Bonham so inventive in his playing…and that heavy chorus – not to mention some sublime pedal steel guitar – they just had everything….


The fade into this is another stunning moment. The melody on this Page virtuoso acoustic guitar instrumental owes more than a passing nod to a traditional folk song sung in the folk clubs by Anne Briggs. It was recorded by both John Renbourn, and Bert Jansch, The piece also featured a rare cameo appearance from tabla player Viram Jasani.

Bang….Communication Breakdown – the energy is just phenomenal – come on! Punk Rock before it was invented..
I will never ever forget them performing this in front of my very eyes as a surprise encore on the final night at Earls Court….

Crystal clear ambient sound here – John Bonham right upfront in the mix… Jimmy is just incredible …


That jazz intro is another moment as is Jimmy’s slashing wah wah – and then it’s off into all manner of fun…Oh Rosie ,The Hunter..phew!.


54 years on this album has lost none of its unique power. Led Zeppelin would go on to make more inventive and adventurous records but this first recorded statement is a blueprint for what would follow.


You can never have too much of a great thing:

Some of the Led Zeppelin I pressings I’ve accumulated over the years.

A truly iconic sleeve design and a truly iconic album – now all of 54 years old and sounding as fresh as ever…go and play it now and I think you will agree….

Dave Lewis – January 26 2023






TBL Archive Special: 

TBL Led Zep 1975 Snapshot: Number Three & Four

TBL Led Zep 1975 Snapshot Three:




Set: Rock And Roll/Sick Again/Over The Hills And Far Away/In My Time Of Dying/The Song Remains the Same/The Rain Song/Kashmir/No Quarter/Trampled Underfoot/Moby Dick/How Many More Times/Stairway To Heaven/Whole Lotta Love – Black Dog/Communication Breakdown.

Something of lacklustre performance. The strain was showing with Jimmy, John Paul and Bonzo having risen very early and flown coast to coast (against the time changes) from Los Angeles to reach Greensboro in time. Robert, who flew in from Chicago, would probably have benefited from another day in bed. The show is now condensed even further by the removal of ‘The Wanton Song’ from the set list. Levee has also been dropped.

Chris Charlesworth remembers the aftermath:  “About five hundred fans attempted to storm the rear of the building, throwing broken bottles, stones and pieces of scaffolding. Three of the group’s five limousines were severely damaged, and the drivers of the other two – which were parked inside the building – wanted to take their cars away. Peter Grant wasn’t having that… oh no! He actually offered to buy them on the spot for cash, but after a ‘discussion’ the drivers had no alternative but to let him have them.

“The group and entourage had to make a very quick getaway within seconds of the final encore. Grant took the wheel of the first limo with the band and Richard Cole inside, and everybody else piled into the second. With a Police escort, sirens blazing, at speeds of up to 70 mph in a heavily built-up area, Grant led the way, driving through red lights and on the wrong side of the road.

“It was incredible to be involved in scenes like that… Peter was just unflappable. When we got to the plane he got out and kicked the car really hard. ‘Fucking useless pile of junk!’ he shouted. ‘Way off tune… my old Bently goes twice as fast!’ We all just stood there laughing… totally exhilerated by it all. Then we flew back to New York and the band checked in the Plaza. It was a very tiring day. Unforgettable!”

Snapshot Listen – how it sounds now: 

I have this recording on the Footstomping Graffiti double CD (No label). Noisy but fairly clear audience tape.

Lacklustre at times but still some inspired moments. Robert is clearly struggling which is evident in his between song patter -his voice is straining even when talking.  Jimmy takes a while to get in the swing but is well on it by No Quarter which now running at 16 minutes and heading for greatness (Jimmy’s finger is cool” says Plant defiantly at one point).

The new material goes down well with Trampled particularly vibrant. At 18 minutes, Moby Dick provides a rest for Page and Plant (”John Bonham Moby Dick – Mr Physical Graffiti!” How Many More Times has a few elements of Dazed creeping in. Stairway again proves it’s worth and is something of a saving grace. Whole Lotta Love/Black Dog and Communication Breakdown ( the latter with Jimmy thrashing the hell out of the wah wah pedal) provide a valiant encore finale…and valiant is a good description overall for another challenging performance, given the physical drawbacks they were experiencing.

TBL Led Zep 1975 Snapshot Four:




Set: Rock And Roll/Sick Again/Over The Hills And Far Away/In My Time Of Dying/The Song Remains The Same/The Rain Song/Kashmir/No Quarter/Trampled Underfoot/Moby Dick/How Many More Times (inc. The Hunter – The Lemon Song)/Stairway To Heaven/Whole Lotta Love – Black Dog.

“Good evening! It’s our great pleasure to be just about back!” Plant’s opening comment sums up the gig quite accurately. The band were slowly returning to form.

”Tonight we intend to cover the spectrum of a lot of the varying music that we’ve been doing for the last seven years. As we go though this spectrum we want to include some of the new stuff from Physical Graffiti, the LP that comes out soon” (love Robert’s use of the word LP – so quaint).

Plant explains the problem with Jimmy’s finger and joked that… “The bone on his wedding ring finger is bust and that’s a real drag because if he was to get married now, he couldn’t get a ring on”. Bonzo was introduced tonight, as he would be many times on the tour, as “Mr Ultraviolence!”, a reference to the Clockwork Orange style suits that both he and his assistant Mick Hinton wore throughout the tour. This is preceded by Plant’s claim that John is ”The man who made Led Zeppelin a legend.”

Snapshot Listen – how it sounds now: 

From the double CD Just About Back – a slightly muffled audience tape but good for the time. The title deriving from Plant’s opening comments ”It’s our great pleasure to be just about back”. Just about back they are with the similar problems from Greensboro in evidence. This though is an altogether livelier showing – Page is particularly inventive on Over The Hills and despite the vocal range shortcomings, Plant attacks In My Time Of Dying and Kashmir with much verve. How Many More Times has it’s final delivery and it’s a solid free flowing performance. All roads would now lead back to the Garden as New York was the next stop off – and when it came to New York, well they were all no doubt aware that they had a reputation to maintain…


Summary: I’m with TBL contributor Andy Crofts view that the January 1975  Zep shows, though far from perfect, offer some quirky unusual set lists and performances. Here’s what Andy said in his piece on the tour in TBL 36- plus his ten notable moments listing from this period:

In my opinion Led Zeppelin’s  January 1975 performances have had a lot if unfair bad press. Musically the band  are fine, and they show us the kind of gig the band had in mind before the reality of touring the US in 1975 got the better of them. If they are rusty, they are also working hard, to put on a professional show each night. To my ear, these shows ‘cut the crap’ in the same way that they band would do – and stick to – in 1980. It makes for a refreshing listen and a fine contrast to the grandstanding that begins to take over once they reach Madison Square Garden in February….of which more next time.

Meanwhile, my advice is that you search out some of these January 1975 performances and prepare to be surprised that far from being overly sick again…Led Zeppelin were often on a very favourable night flight

Ten Notable Moments from January 1975:

Here are ten notable performances from January 1975 that demonstrate the band striving to give it their all after a lengthy period away from the stage……and despite some physical restrictions.

greens one

January 12th (Brussels): When The Levee Breaks.

Ok, it doesn’t quite work, but this is by far the best chance to hear this song live.

January 12th (Brussels): The Song Remains The Same

The drums are off at the beginning, but it soon settles down into a fast-paced and well-controlled version.

January 12th (Brussels): The Wanton Song

Another rare one. It’s a shame they dropped it. This version is strongly played and sung, and the solo – while varying from the album version – gets better the more I listen.

January 22nd (Chicago): How Many More Times

Probably the best version of this for 1975, and certainly the best sounding. Jimmy and Robert work together well here, just like the old days, a fact acknowledged by Robert at the end.

January 22nd (Chicago): Stairway To Heaven

The recording has a few glitches, but this is a fine version, with Plant making a big effort and a scorching guitar solo.

January 22nd (Chicago): Communication Breakdown

They didn’t play this much after January, replacing it with the more complex Heartbreaker. This is a strong, fun version with a funky Crunge-like middle section.

January 24th (Cleveland): No Quarter

I’ve picked this one because I really like the guitar solo; inventive and in places quite Floyd-like. The shorter versions of this song always pack more punch for me.

January 29th (Greesnboro): Whole Lotta Love/Black Dog

I couldn’t resist one from Greensboro. Whole Lotta Love is still a mere intro, but Black Dog is well sung, and Jimmy’s guitar is spot on.

January 31st (Detroit): Over The Hills And Far Away

Any version of this from 1975 is on the money, to be honest. I like this one for the solo; Jimmy isn’t flawless but he is energetic and inventive.

January 31st (Detroit): The Rain Song

A beautifully clear version, well played and sung.

Sources: these are the underground titles used as sources – note there are a fair few variations and differing versions of these dates on CD.

January 12th (Brussels) :  Belgian Triple

January 22nd (Chicago): Windy City Tapes Vol.3

January 24th (Cleveland): Ultravilence

January 29th (Greesnboro):. A Quick Getaway

January 31st (Detroit): Tune Up

Compiled by Andy Crofts – extract from TBL 36.

TBL Led Zep ’75 Snapshot – To be continued…

TBL Archive Special:

My Seven nights with Led Zep in 1977


Led Zeppelin (on film) at the Granada Bedford January 1977.

The young DL gazes adoringly at the poster outside the Granada Cinema Bedford January 1977 – no prizes for guessing where this poster ended up – you got it – on my bedroom wall…

46 years ago this week  I was about to commence a seven night stint in the company of Led Zeppelin….or to be more specific their film The Song Remains The Same.

The newly released celluloid masterpiece was on general release and doing the rounds nationally and cue fanfare…had rolled into my home town of Bedford.

Yes Led Zeppelin alive on film in the quaint market town of Bedford for seven nights only and I needed to be there every night. Simple as that.

Now this event in the life of this then 20 year old Zep fanatic was big news. I’d already seen the film six times before Christmas, the first three nights in London including the premiere plus screenings in Cambridge.

Now I had the luxury of walking from my home in Dents Road to Bedford High Street every night for seven days to view it at the local Granada cinema. This long since knocked down theatre was a grand old building that alongside its cinema presentations was a stop off for the many pop group package shows of the 1960s. It played host to The Beatles twice and Jimi Hendrix. In April 1964 the seven year old DL witnessed his first ever gig there featuring The Dave Clark Five.

The whole week was a total blast as various friends and relations joined my then girlfriend Fiona (who I have kept in contact with over the years) asnd me in seeing just what all this Zeppelin film fuss was about.

No Monday morning feeling that week either. Absolutely not. A day in the WH Smith shop selling the records and tapes of choice to the Bedford public and then the nightly prospect of 137 minutes of Zep up on the big screen. It was pure heaven. Dec was with us  on the Wednesday and again on the Friday where we sat through the afternoon and evening screenings.

Dec was also with me a year later when we made two bus rides in driving snow to see the film at Western Favell in Northampton. Now that’s what I call comradeship!

Here’s the line up on the local cinema circuit for that memorable week of January 23,1977. With all the Zep screenings, there was no time to check out the double X sex bill!

On the Thursday my late Mum and late sister came along to find out just exactly what it was that so inspired the junior one of the family. A lovely touch. This week of weeks ended on the Saturday and not even a family marriage could get in the way. My cousin was getting married that day but we still managed to sneak out of the reception for two hours to attend the final showing (viewing number nine for the week!) By then the manager of the Granada had seen our many visits and gave us free tickets. We even made the local press putting the record straight about some errors in the local review.

It was an incredible week looking back and it set the year up a treat. I did actually go down with glandular fever not long afterwards which is another story for another day. What we all wanted of course, was to see Led Zeppelin back onstage –the nearest I got to them was the hour I spent at Heathrow Airport on May 17 as they flew out for the second leg of the US tour.

It was to be another two years before the glory of Knebworth.

In between all that I went on to see The Song Remains film around 30 times in UK cinemas from 1976 to 1979. It was the next best thing during their enforced absence. These excursions to see the film included the aforementioned bus ride out with Dec to Western Favell shopping centre near  Northampton on a snowy January night in 1978 and a late night showing in Luton when it followed a porn film – I kid you not!  I also saw it a fair few times at a small cinema near Wardour Street in London called The Essential. This was an art house cinema that regularly aired rock films of the day.

The arrival of the video age of course would soon make it much easier to view. I  invested in a bootleg copy in early 1981 – not of brilliant quality but it had to be had!

It can now be viewed at the click of a YouTube link – the thought that one day the footage would be easily accessible on a mobile phone would have seen astonishingly futuristic back in that memorable week of January 1977.

As much as it’s great to have such easy access to it – it will never be quite as rewarding or exciting as those seven trips I made into Bedford St Peters Street  during that week way back in 1977. It was like having the band live down the road available at will for a nightly fix. Seven nights in 1977…what a week that was…

Dave Lewis – January 26 , 2023


Robert Plant at Leicester University – It was 35 years Ago …
35 years ago this week on January 23 1988, I travelled to Leicester with the good lady Janet and friends Kam and Julie and Alan on a tip off that Robert Plant would be performing a secret warm up gig at the University for his forthcoming UK tour.
After a set by Shadows look alikes The Rapiers, on walked Robert with a completely new band. He proceeded to weave a rich tapestry of both old and new in a quite astonishing performance.
The new came via tracks from his forthcoming album Now And Zen including the Zep sampled Tall Cool One, a right old rockerbilly tear up Billy’s Revenge and the then just released chorus filled single Heaven Knows.
The old came courtesy of his former band in the guise of In The Evening, Misty Mountain Hop and Trampled Underfoot. After previous warm up dates in Folkstone and Stourbridge, this was the third occasion in his solo career that he had performed numbers from the Led Zeppelin catalogue live on stage.
In an era of no ‘Led Anything’ it was simply cathartic. As can be seen by this review I wrote at the time in the weekly column I did for the local Bedfordshire Citizen newspaper, I was mightily impressed. 34 years, on that night in Leicester University remains vivid in the memory.
It was the night I first saw Robert Plant successfully reconcile his past with the present. Being there to witness it all unfold was awe inspiring.
It kicked off a great year of Now And Zen appearances which for me included gigs at Colchester University, London’s Marquee club (where I first met Gary Foy) Warwick University, Oxford Apollo, London’s Town and Country Club and Astoria Theatre and twice at Hammersmith Odeon (the second night featuring a surprise and simply amazing Jimmy Page cameo).
Brilliant as they all were, it’s that first night in Leicester all of 35 years ago this month that still resonates the most – it’s right up there in my top ten list of all time favourite gigs.
Photos by Nigel Glazier
Dave Lewis, January 26 ,2023



Joe Jammer Podcast:

Joe Jammer podcast on working with Led Zeppelin and much more…


Anthony ‘Top’ Topham RIP:

Very sad to hear the passing of the original Yardbirds guitarist Anthony ‘Top’ Topham – RIP

This via the Noise 11 website:

Anthony ‘Top’ Topham, the first guitarist for The Yardbirds, has died just two weeks after his successor Jeff Beck. He was 75.

Topham formed The Yardbirds with Keith Relf, Paul Samwell-Smith, Chris Dreja and Jim McCarty in London in May 1963 but left in October. His replacement was Eric Clapton.

Clapton left in 1965 and was replaced by Jeff Beck. Beck left in 1966 and was replaced by Jimmy Page. Page left in 1968 and formed Led Zeppelin.

Topham never recorded with The Yardbirds. Their first single ‘I Wish You Would’ featured Clapton.

More here –

More here via Louder/Classic Rock website:


David Crosby RIP:

Here’s a very eloquent tribute to David Crosby by long time TBL associate  Chris Wright… 

It’s now a few hours since the awful, horrible news of David Crosby’s passing surfaced and, of course, the playlist here has been, and will be for the next few days, exclusively devoted to a simply awe-inspiring body of work.

It had never really struck me before, but I realised tonight that, for many, many years now, rare has been the day without some David Crosby music in it of one kind or another. For so long, it has been the natural thing to seek salvation and derive joy from his output.
He was absolutely one of the most important musical creators for well over six decades, starting with The Byrds and some of the definitive recordings of the 60s. As if that weren’t a significant enough contribution, he was also blessed with the most beautiful male voice I, for one, have ever heard.
The harmonies he created with Graham Nash and Stephen Stills are immortal and, to this day, of unprecedented beauty. Crosby, Stills, Nash and Young produced some of the most significant musical statements of their time(s) together.
His first solo album If I Could Only Remember My Name is, in many folks’ view, mine included, one of the greatest albums ever recorded. The end result of seemingly limitless studio time at Wally Heider, with all the great and good of the Laurel Canyon scene gathered to support Croz in the aftermath of the tragic death of the then love of his life Christine Gail Hinton. What emerged was an essentially cathartic and ultimately life affirming set of incredible music that has been a constant companion for me, and countless others, through good times and bad.
The excellent biopic “David Crosby Remember My Name” told the whole story of his difficult years and how he rose out of them so triumphantly, culminating in six albums since 2014 that are easily as important as anything he previously recorded. An incredibly prolific period so late in the game.
Of course this latest huge loss follows so quickly from the passing of Jeff Beck. A common thread between both these legends was their championing of young musicians. Croz recorded stellar studio albums, and a very recent live album, with the amazing Lighthouse Band, consisting of the beyond talented Becca Stevens, Michelle Willis and Michael League. And let’s also not forget the earlier, excellent CPR recordings with his son James Raymond and 2021’s remarkable For Free album, produced by James, who also collaborated on the Croz and Sky Trails albums.
But nurturing new talent was nothing new for Croz. After all it was David who introduced Joni Mitchell to the world, producing her stunning debut album Song To A Seagull. For a brief period they were lovers too.
What a further punch to the spirit this dreadful news is. What survives, however, is an essential body of work that will only grow in significance.
Thank you Croz.
Chris Wright


DL Diary Blog Update:

Friday January 20:

A very poignant delivery…I ordered this yesterday before the sad news of of David Crosby’s sad passing came through…

Saturday January 21:


Saturday is platterday and David Crosby Day – lining up the weekend playlist here and remembering the late great Croz and what a catalogue he has left us with…

Saturday January 21:

Saturday is platterday – remembering David Crosby – on the player the Crosby, Stills & Nash album –pure perfection…

Saturday January 21:

The new issue of Mojo is in the house with a Bob Dylan cover feature and a superb Dylan cover mount free CD…

Saturday January 21:

Latest DL charity shop acquisitions…

Sunday January 22:


It was 50 years ago today…

On the player…

The rather brilliant bootleg double album One More Night -Live at Southampton. As recorded on this day at Southampton University.

It includes a rare for the era live performance of How Many More Times…my they were good that night –this is one I would have loved to have been at…

Thankfully it was all captured on this superb soundboard recording and it’s right up there in my all time fave Zep concerts listing…

Monday January 23:

Monday LP record treats at the children’s society charity shop…
I was well pleased this afternoon to invest in this original copy of the 1970 Fothringay album – the band Sandy Denny formed after leaving Fairport Convention.
This copy an original pressing on the pink Island label in a gatefold sleeve. More than happy to pay £20 for this gem which I’ve seen go for a whole lot more – and thanks to my record collecting comrade Pete Burridge for alerting me to this one…much welcomed LP record inspiration on a Monday…

Tuesday January 24:

Life affirming brilliant evening in the company of the good lady Janet and Dec’s sister Yvonne over from California…

Update here:

After all the losses of recent days it’s been an effort to get motivated – we did have a lovely meet up with Dec’s sister as mentioned above.

There’s been some work on the DL memoirs and I am certainly looking forward to all that can make it along to the VIP Record Fair at Victoria London where I will be launching the Five Glorious Nights Led Zeppelin at Earls Court May 1975 revised and expanded book this Saturday.

Thanks for listening 

Until next time…

Dave  Lewis –  January 26  2023 

TBL website updates written and compiled by Dave Lewis

Follow TBL/DL on Facebook:

1 Star2 Stars3 Stars4 Stars5 Stars (1 votes, average: 5.00 out of 5)


  • Frank Sheppard said:

    Thanks as always Dave! I look forward to your posts every Sunday. I had mentioned before about the CSNY 1969 live concerts cd that was on your best of 2022 list. I was curious to where you got it. It look amazing but I can’t seem to find a copy. Thanks again for your hard work and hope you and your family have a great week. Oh, I can’t wait to read your biography.

    Take care,

  • VHP said:

    Like you I was also at the Warwick University gig on the Now and Zen tour. If my memory is correct it was the Students Union bar / room and was the same room where the Bangles had played a couple of years earlier. I was also at that Bangles gig – so was Robert as he mentioned it during the show. I think he rather liked Suzanna Hoffs – and I fully understand why!

    Some things I do remember, its only a small venue and the lighting rig came way out into the audience. Also, that night when Robert walked out onstage he had the most amazing presence about him (no pun intended)- and you just knew it was going to be a very special night. Hearing him play some Zep material (having not done so the previous times I had seen him) was just the icing on the cake.

    Yes Dave, it was a very memorable evening.

    Such a shame about David Crosby, Remember seeing him when he joined David Gilmour on his ‘On An Island’ tour. That was also another very special night.

    As so many of the music greats are now of a ‘certain age’ I feel that there will be many more sad times to come over the next few years.

Leave your response!

Add your comment below, or trackback from your own site. You can also subscribe to these comments via RSS.

Be nice. Keep it clean. Stay on topic. No spam.

This is a Gravatar-enabled weblog. To get your own globally-recognized-avatar, please register at Gravatar.