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JIMMY PAGE & ROBERT PLANT WALKING INTO ISTANBUL -20 YEARS GONE/LZ NEWS/DEMISE OF THE NME/BILL TURNBULL/RUSS SOLOMON RIP/DL DIARY BLOG UPDATE

7 March 2018 1,805 views One Comment

TBL ARCHIVE SPECIAL :JIMMY PAGE & ROBERT PLANT LIVE IN ISTANBUL – 20 YEARS GONE…

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Now this one is a bit of an epic.  This was first published in TBL 13 – It’s an road chronicle of the TBL crew’s adventures in pursuit of Jimmy Page and Robert Plant across the and month of March 1998. This took in two dates in Istanbul – something of a zenith in my own ‘’Crazy things I’ve done in the name of Zep’’ portfolio, followed by the superb Shepherds Bush Empire gig which in turn was followed by successive TV recordings at Top Of The Pops in Elstree and TFI Friday in Hammersmith.

Incredibly this all occurred 20 years ago…

As Gary Foy remarked to me earlier this week, this was one of the last real on the road assaults we undertook – there was a second UK leg of gigs in the late summer autumn which was also a real buzz but after that it got harder to just take off at short notice. Jobs, children and other priorities began to take precedent. This was definitely the period when if they were playing somewhere and we could get there, we’d be off. Great days and definitely crazy days. There some incendiary Page & Plant live performances in 1998 and we saw a good few of them. Read on to soak up a blow by blow account from the era when ‘’Walking into everywhere’’ was their motto and ours…

Part One has all roads leading to Istanbul for the beginning of another new chapter….so reach for those P & P ’98 CD’s and here we go…

More strange tales from the road: Crazy taxi drivers in search of the Bostanci Centre, power failure before the show, repeated chants of ‘’Zeppelin’’ ‘’Zeppelin’’ from the Istanbul faithful, How Many More Times back after 23 years, Saturday morning queues in Tottenham Court Road, the Empire strikes back in Shepherds Bush, Yes it’s number one it’s Top of The Pos, building a House Of Love in Elstree, followed by Rock And Roll on a Friday night TV show in Hammersmith…it all happened during the mad month of March 1998…

Thursday March 5 1998

This is a moment that crystallizes yet another rejuvenation. It happens towards the end of Thank You which is being performed in a slightly differing arrangement to last time. As they come out of the final verse, Robert as is customary picks up the tambourine and stands in that classic pose. Jimmy swings around with the Gibson – low slung as ever and they’re both primed for the finale… Robert glances at the guitarist expecting the solo to hit in, Jimmy for his part hesitates for about three seconds. Robert is momentarily knocked off guard and then it happens. Page takes a few steps towards Michael Lee and Crunch! He scrubs those strings’ like there is no tomorrow… like it just might be the final solo ever. Robert gives a knowing grin, picks up the flow and checks in for the final pleadings. “You’re my heart and soul, I still love you so, I wanna Thank You, oh oh oh ooh’.’

The song grinds to a halt and there’s the singer shaded by the golden spotlight soaking up the applause – and to his left the guitarist happy and smiling, knowing the joy he has brought to the audience.

And Istanbul surrenders. Just as in the past, Mannheim has surrendered… Sydney has surrendered… Los Angeles has surrendered… Wembley has surrendered… Sheffield has surrendered… You name the location – their music has touched every culture and country they’ve come into contact with.

Surrendered to the sheer power and glory, that these two musicians have been championing for nigh on thirty years. From the earliest days of Led Zeppelin through to this latest and long awaited new incarnation. And right now it still feels and looks so utterly convincing. Dancing Days are here again? Too true they are.

Yes it’s been a long time. To be precise, it’s been 949 days since I’d last heard that final cry of Thank You ring out aloud. Back then it was in the confines of Wembley Arena in July 1995 – the final night of the Unledded UK tour. Since then they’ve gone through some changes… and we have to. Back in January though, the wheels began to roll again with the announcement of an eight date Eastern European tour.

Initially I had little thoughts of going over. The expense and logistics seemed to halt any such notion. Gradually as I kept writing out the tour dates for the TBL Newsletter Extra, it began to get a little exciting. Unsurprisingly, others were feeling the same way and various options opened up. There was the offer of a drive from the UK to attend the Prague and Katowice date (thank you Steve ). That proved too difficult in terms of how long I’d be away.

The opportunity to attend the first date in Zagreb also proved impossible due to work schedules. Then the ever enthusiastic Mr. and Mrs. Foy came up with the Istanbul package, by no means cheap, but viable in so much that I’d only need to be away from Janet, Sam and Adam for three days. Permission from the Totnes HQ was granted (Janet in at number one, yet again, as the Most Understanding Wife of All Time). With Turkey not being so very far away from the projected air strikes, I did have a rather worrying time when the unrest in the Gulf blew up (any projected Istanbul bootleg being jokingly forecast as being titled The Human Shield by one wag) but thankfully that all died down. Frantic arrangements were drawn up, many an international call to Istanbul logged and before I knew it, I was waving the family good-bye yet again in search of the musical inspiration that continues to be a reason for being – rather than having been – as the singer once so astutely put it.

So it is I find myself on a plane bound for Athens over night leading into March 5. What with coping with my work schedule over the past few days to free up these days, I’d had little time so far to get really excited about it. The three and a half hour flight provides time to reflect. This is the seventh night of the tour. So far the reports have been enthusiastic – though not without some reservation. Like many others I was a little disappointed at the set list structure being very much along the lines of the ’95/6 jaunt. On closer inspection it’s apparent that there are nine songs being performed that I have yet to see Page and Plant play live. I’d been lucky enough to receive an audience video of the Budapest show so I had a good idea of the set list and stage set up. Burning Up and Walking Into Clarksdale? Bring them on…

Reading matter on the way over includes the NME which has a full page ad for the Uncut magazine. And there they are on the cover… “The Old Devils Are Back” is the cover boast. They are back but not quite in our sights yet. The Foys and I have to endure a three hour stop-over at a deserted Athens airport at three in the morning. Finally we are on the hour long flight bound for Istanbul and we duly arrive in the city at 9am. The first perilous taxi drive follows. The traffic out there is quite frightening with constant horns being tooted and pedestrians darting in-between the cars. Give me my push-bike back in Bedford any day.

Eventually we check in and get settled. In the afternoon it’s over to the Merit Antique Hotel for the Press Conference. The Turkish press is afforded a playback of the album as they await the arrival of the pair. Around 3pm Jimmy and Robert saunter in apologizing for being late and for the next forty five minutes fend off the most inane questions.

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One of the first is “Where is John Paul Jones?” Understandably this irritates them immediately. “Believe it or not that’s not the first time we’ve been asked that question” is Plant’s reply. Jimmy only becomes interested when someone asks about the Puff Daddy Kashmir project. “We set up a studio satellite link with LA and it sounded really good.” At one point, Plant takes a few pictures of the assembled with his own camera. Having fielded the questions they’re off to the venue to prepare for the show. We strike it lucky by (and I kid you not!) seeing a sign on the main road a few hundred yards down that proclaims “English Pub”. It wasn’t quite the Fox and Hounds back home but it’ll do nicely as the adrenaline pumps up.

The venue itself is situated a few miles over the city in the Asian area of Bostanci. The gig is scheduled for 8.30 so one for the road around half five seemed well in order. We couldn’t have been more wrong! The taxi drive over to the centre was nearly enough to make me want to take up smoking.

Stress levels were at their highest as we battled traffic congestion that made the M25 look like a B road. The poor taxi driver was also having trouble trying to find the place. Several times he snatched up one of our tickets and rushed out to passers-by.

Cue visions of the ticket being snatched away and leaving us in a state of limbo! Eventually, after viewing the sights of down-town Istanbul at length, and after nearly two hours, the dome-like building that is the Bostanci Centre draws into view.

Old songs, new songs and hot songs

Outside there are lengthy queues to gain entry and much scurrying around. Soon we are in the arena and the excitement really begins. The Bostanci Centre holds around 4,000. Already there are a number of fans huddled around the front. The actual structure of the building reminds me of the St Austell Coliseum. There’s terracing around each side and even the far back terracing is in close proximity to the stage. The audiences are a mixture of young Turks grateful for any kind of rock event in their vicinity and older looking fans weaned on Zep 4. The average age I’d say is around 25. There’s also quite a strong young female presence. Amongst all of these of course are some old friends.

It never fails to amaze me this devotion to the cause – and how certain enthusiasts (or loony’s!) decamp to whatever country, state or town Page and Plant inhabit.

Tonight the Bostanci is quite full but comfortable. We endure the half hour support act onslaught of progressive rock (i.e. what Marillion would sound like if they’d been born in Turkey) which actually goes down well with the locals. There’s the usual milling around the stage from the roadies – and it does begin to get very exiting when Jimmy’s Theremin is tested – and when the guitar tech straps on the Gibson for testing.

I’ve worked out that this is something like the 60th occasion I’ve been privileged to watch Page and Plant perform live either as Led Zeppelin, on solo tours or as part of the Unledded project. That’s 60 shows, across 26 years. And here we are again. How will it be? I mean how long can they continue at this pace? It’s a re-occurring question these days. Being far from home in a completely foreign country only goes to heighten the excitement and anticipation as the lights go low and the familiar Egyptian intro music booms out.

The answer to the above questions arrives in just about the time it takes Robert Plant to whip the microphone off it’s stand and strut in regal pose seconds into the opening number Wanton Song.

I get a mental flashback to the sense of awe at the opening of previous Zeppelin events – notably Cologne in 1980. Because, this is another rejuvenation.

As they stomp through the opening number it’s immediately apparent how much more focused this 1998 set up is. This is Page and Plant functioning in a four piece rock band again and boy does it rock. And they look good too. I’d had reservations about Plant’s earlier appearance in the tour with the baggy pants, but tonight he looks every inch the veteran star front man. Long sleeved pattern shirt and leather pants tucked into boots; Page with black T-shirt, perhaps a little paunchier, but hey, this lot have a combined age of 104! It could and maybe should look faintly ridiculous. But somehow it just doesn’t. It just looks like it should do – two superb musicians performing with an enthusiasm that simply defies the years.

They don’t need to justify being up there. The crowd reaction does that as they leap up and down in time to Robert’s pogo-ing. The opening salvo of Wanton Song, Bring It On Home, Heartbreaker (first time I’ve seen that played live since August 4 1979) is an immensely exiting segment. It’s Plant who is the immediate eye opener. In 1995 he was content to often hug the mike stand and recoil from those old poses – perhaps rendering them relevant only to a bygone age. Not tonight. He’s up there agile as ever and strutting mike in hand with supreme confidence. Jimmy shares that confidence playing with a fluency that we could only have dreamed of a few years back. It may not be note perfect and there are one two early fluffs but nothing that blows the momentum. The PA sound is also a revelation – crystal clear and exposing the quality of Plant’s vocals.

“Good evening Istanbul. Tonight we’d like to do some new songs, some old songs and some hot songs.”

Ramble On inspires more pogoing down the front – and it’s still a great tune. There’s a switch of guitar (a new addition to the guitar army: a PRS model with tremolo arm) for the new Walking Into Clarksdale. Another delight with its rockabilly guitar and deft change of tempo. Here Page lays back and shoots out the first real solo evoking memories of The Yardbirds latter days with its fluttering style.

It’s worth explaining at this point the stage lay-out and lighting. Gone is the big cloth backdrop. The stage rig relies on the lighting alone to shadow it. The lighting itself is really impressive. Clever uses of solo spot-lights are supplemented by on stage spots that are often used to illuminate the crowd. Simple but effective. From our vantage point up on the terracing by the left hand side of the stage it provides many visual flashbacks as the silhouetted figures wallow in the light.

The next number evokes a great cheer from the crowd but it’s a controversial moment. We’re hearing the familiar electric keyboard motif of No Quarter played · la Zeppelin circa 1973. Opinions will be divided on the merit of this inclusion which is perhaps a little close for comfort. I’m sitting on the fence here because they pull it off very well. Jimmy’s solo is very spirit of MSG ’73 and his grin seems to confirm his pleasure at dishing that one out again.

The acoustic interlude follows with Plant on a stool and Page sitting down with the acoustic. Keyboard player Phil Andrews supplies the mandolin. Going To California garners a huge audience response and is followed by a wonderfully nostalgic Tangerine (first time I’ve heard it played live since May 25 1975)- Plant off the stool, dragging the mike around.

Thankfully Robert avoids the “In olden days” spiel for Gallows Pole, opting for that tale of how the song travelled up the Mississippi Delta to the UK story. This is a track I got played out on during the ’95 tour. it sounds fresher in a more simplified arrangement and both of them are well animated for the speeded up finale.

It’s back to the full force of the riff infested Burning Up from the new album. Page excels here as he churns out the smoldering riffs that lead the song. Michael Lee is also impressive underpinning it all with a solid time honored tom-tom fills. Only Plant suffers a little – sometimes straining on the chorus although he is supplemented later by what appears to be some sampled backing vocals · la the album. Babe I’m Gonna Leave You follows and is a real highlight. Faultlessly delivered, with all the required dynamics and a twist in the arrangement that allows Page to turn in a very bluesy Since I’ve Been Loving You type solo.

“Do you like Jazz?’’ is Plant’s odd request that makes more sense when they enter the Coltrane like beginning of How Many More Times. Now this is really something. They haven’t played it in full since 1975 and the audience soaks it up with perhaps the younger element very familiar with it as part of the BBC set. Page wields the violin bow for the eerie middle section and then it drifts into a delivery of In The Light (· la the Calling To You/Whole Lotta Love medleys of last time out). There’s a great moment when they both cluster together in Achilles like tandem before the pressures back on for the up tempo ending which again raises the crowd to a frenzy – a fact highlighted by the spot-lights that engulf the audience in bright light.

“This is our new single, and it’s one of my favorite new numbers,’’ announces Plant over the looping Arabic intro to Most High. This is already becoming something of a ’98 tour signature tune. Page’s revolving guitar riff kick starting them into an infectious trek through some proven ground. It’s a track that carries all the pomp and extravagance of past Arabic adventures and the crowd immediately clue-in on it’s infectiousness.

“Thank you for your hospitality in your country – we’ve got to say goodnight.’’ Page keeps the sparkle Trans performance Gibson on to fire out the riff of the hit single that wasn’t. Yes it is Whole Lotta Love. It’s over familiarity could easily grate on me – but it never fails to have us pumping the air with it’s barnstorming riff which in turn leads to the Knebworth revamp section “1234 da da da dadadum” – you know the one. Then Page stalks over to the Theremin for a last bout of expected showmanship. Lights up, handshakes, hugs and farewells. Then they are gone.

And then it starts, a slow rumble first then building to a crescendo: “Zeppelin… Zeppelin… Zeppelin… Zeppelin”. The repeated cry goes up. It’s along time since I’ve heard this sort of eager reception.

They return for a beautifully restrained Thank You. Performed in a new arrangement that finds Page hanging on to every solo. Then there’s that great moment of hesitancy before he scrubs out the final run. More exits left, more chanting and then it’s welcome to Rock And Roll. (“This is how we say… Oh no not again…’’); Page has saved up the energy for this one as he duck walks across the stage pausing for a couple of mini jumps (at least 4 inches off the ground!) while Robert milks the crowd for the “Lonely lonely” parts. In fact there’s one great final visual image – Robert goes down on one knee and then jumps up and grabs the mike in a pose that’s identical to the Neal Preston photo to be found on page 104 of Cross And Flannigan’s Heaven And Hell.

“Istanbul Goodnight!’’

There’s a real warm glow about the audience as they shuffle out. And something of a mini Zepp Convention ensures as the UK central Europe clan gather excitedly. I point out a young lady of around 18 who I had seen dancing enthusiastically throughout the show. Led Zeppelin had clearly played their final American tour years before she was born. But that’s always when it really hits me. To see a new generation inspired by this music just as we’ve been inspired years before. Yes the wheel rolls. It’s enough to make you feel bulldog British proud.

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Mr Foy outside the venue…

Friday March 6 1998

A few hours later we are outside a very wet and miserable Bostanci Centre. After yesterday’s pleasant weather it comes as something of a surprise. In fact I’d have been well advised to have worn the new leather coat that one of the eager local tradesman had hoisted upon us when we checked out the local McDonalds earlier. The rain coupled with some unfortunate stress I’m having to deal with makes the morale somewhat low.

Quick aside: This involved an incident  where we inadvertently (it was a genuine mistake!) took a ride from the hotel to the second gig in the tour bus that was meant for the road crew – thus leaving them to get taxis to the venue. Unsurprisingly this did not go down too well and I had some explaining and apologising to do rather quickly – I can laugh about it now but back on the day it was stress city believe me! The complete story is one for the memoirs for sure…like I said these were crazy days!

Still, the show must go on. Well nearly. Tonight it’s evident that there are many more in attendance. It also seems to be a younger age group overall. Things begin to get a little bit scary when around 8.30 the whole place is plunged into darkness. This does no favors to those trying to gain entry by the main door. A series of heavy pushing and shoving results in a few people being carried out for medical assistance.

The lights come back on partially. And announcement from the stage informs that the area has been hit by a power cut and the PA is being powered by an emergency generator (shades of Copenhagen ’79). Thankfully the lighting improves and the support act kick off around 9.30. By the time the stage is cleared ready for Page and Plant the arena is packed to over-flowing with little room for manoeuvre. I’d say at least 2,000 more are in tonight, which makes for some uncomfortable viewing but luckily I manage a good spot to the right of the stage.

Around 10.15 PM the lights go down and we’re off again. Page retaining the black T-shirt garb; Plant has switched to the dark with white trim T-shirt he’d worn on earlier dates with the leather trousers.

The show runs very much to last night’s structure. If anything Robert’s performance is even more impressive. During Heartbreaker he does one classic shimmy across the stage that ignites the crowd into a huge roar. “This is the last night of the tour… so let’s have some fun.’’

On Burning Up he hits the notes perfectly sparring with Page’s trademark licks and riffs. Tonight’s crowd offer up most response to No Quarter, Babe I’m Gonna Leave You (especially the final Stairway tease) and How Many More Times (“Do you like jazz… Liars!’’) Robert throws in a quite breathtaking accapella verse from In My Time Of Dying before the In The Light insert.

Most High is also enthusiastically received spurring Plant to raise the tempo as they hit the finale. Prior to delivering the new single, Plant had welcomed over various record company people who had come here for the weekend. During Whole Lotta Love Jimmy does a quick guitar change mid song from the red sparkle Trans Gibson to the light brown model.

“We’ll try and see you in the summer when we’ll play outside and the tickets will be cheaper,’’ explains Robert as they re-appear for the encores of Thank You and Rock And Roll. “I guess this is why we’ve been doing this for 30 years,’’ is Robert’s comment as he surveys the adulation. It’s obviously a moving moment for him as he hauls up Ross Halfin on stage to photograph the crowd, for perhaps his own posterity.

The usual bows and waves… and the 1998 Eastern European Tour is over.

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Saturday March 7 1998:

Reflections on the plane journey back. Well as I’d hoped this Page Plant project has moved on.

It really does feel like a four piece rock band again and the focus is clearly on the two principal players. There are definite parallels to the rejuvenation Zeppelin attempted in Europe all those years ago.

This is very much a stripped down show from ’95 in the same way that the Over Europe tour was very much stripped down from the Knebworth shows. Seeing all this in a foreign country has been a real eye-opener and confirmation once again that this thing is an international phenomenon that shows no sign of waning. The flight back is a little tiring – I pass the four hours by managing to finish off an excellent novel by Charles Higson called Getting Rid Of Mister Kitchen.

It takes over an hour to recover our baggage through Heathrow and finally it’s home and back to reality with our  Samantha’s evening school disco to attend.. Here the plaintive tones of Aqua, All Saints and The Spice Girls replace the likes of Most High, Burning Up and Walking Into Clarksdale. Suddenly Istanbul seems a million miles away….

PART TWO TO FOLLOW: Queuing by the sick, Shepherds Bush, Top Of The Pops and TFI Friday.

First published in TBL 13

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Led Zeppelin News Update:

In conjunction with the Led Zep news site, each week I will be re- producing highlights from their weekly email update news summary. This goes out every Sunday. Sign up details are below. Many thanks to James Cook

Led Zeppelin

The upcoming Record Store Day single from Led Zeppelin.

Jimmy Page

Robert Plant

  • Robert Plant played three shows last week. Click through on the linked song name to see videos of the performances:

February 26: Phoenix, Arizona
New World…
Turn It Up
The May Queen
Rainbow
That’s the Way
All the Kings Horses
House of Cards
Gallows Pole
Carry Fire
Babe, I’m Gonna Leave You
Little Maggie
Fixin’ to Die
Misty Mountain Hop
——–
In the Mood
Whole Lotta Love

February 28: Oakland, California
New World…
Turn It Up
The May Queen
Rainbow
That’s the Way
All the King’s Horses
Please Read the Letter
Gallows Pole
Carry Fire
Babe, I’m Gonna Leave You
Little Maggie
Fixin’ to Die
Misty Mountain Hop
——-
In the Mood
Whole Lotta Love

March 2: Los Angeles, California
New World…
Turn It Up
The May Queen
Rainbow
That’s the Way
All the King’s Horses
Please Read the Letter
Gallows Pole
Carry Fire
Babe, I’m Gonna Leave You
Little Maggie
Fixin’ to Die
Misty Mountain Hop
——-
In the Mood
Whole Lotta Love

Upcoming events:

Late February/early March – New Led Zeppelin photo book “Led Zeppelin Live Times” will be released.
March 13 – Robert Plant will be interviewed on “The Big Interview with Dan Rather” on AXS TV at 9pm ET.
March 23 – The remaster of How The West Was Won will be released and Robert Plant will perform in Sydney, Australia.
March 26 – Robert Plant will perform in Sydney, Australia.
March 27 – Robert Plant will perform in Sydney, Australia.
March 30 – Robert Plant will perform at the Byron Bay Bluesfest in Australia.
April 1 – Robert Plant will perform in Melbourne, Australia.
April 2 – Robert Plant will perform in Melbourne, Australia.
April 5 – Robert Plant will perform in Adelaide, Australia.
April 8 – Robert Plant will perform in Perth, Australia.
April 21 – Led Zeppelin will release a vinyl single for Record Store Day.
May 17 – An updated version of Stephen Davis’ Led Zeppelin biography “Hammer of the Gods” will be released.
May 26 – Robert Plant will perform at the Bearded Theory Spring Gathering Festival in the UK.
May 27 – Robert Plant will perform at the Bath Festivals in Bath, UK.
May 31 – The statue of John Bonham in Redditch is planned to be unveiled.
June 8 – Robert Plant will perform in Atlanta, Georgia.
June 10 – Robert Plant will perform in Richmond, Virginia.
June 12 – Robert Plant will perform in Columbia, Maryland.
June 13 – Robert Plant will perform in Forest Hills, New York.
June 15 – Robert Plant will perform in Toronto, Ontario.
June 17 – Robert Plant will perform in Chicago, Illinois.
June 19 – Robert Plant will perform in Vail, Colorado.
June 21 – Robert Plant will perform in Berkeley, California.
June 23 – Robert Plant will perform in Stateline, Nevada.
June 24 – Robert Plant will perform in Pasadena, California.
June 26 – Robert Plant will perform in Troutdale, Oregon.
June 27 – “Led Zeppelin Live,” a photo book edited by Dave Lewis, will be released and Robert Plant will perform in Redmond, Washington.
June 29 – Robert Plant will perform at the Vancouver International Jazz Festival in Canada.
July 22 – Robert Plant will perform at the Vielles Charrues Festival in Carhaix, France.
July 23 – Robert Plant will perform in Paris, France.
July 25 – Robert Plant will perform at the Festival de Carcassonne in France.
July 27 – Robert Plant will perform at the Milano Summer Festival 2018 in Milan, Italy.
July 29 – Robert Plant will perform at the Stimmen Festival in Lörrach, Germany.
July 31 – Robert Plant will perform in Pardubice, Czech Republic.
August 1 – Robert Plant will perform in Dresden, Germany.
September – Official celebrations of Led Zeppelin’s fiftieth anniversary are expected to start this month.
October – The official Led Zeppelin photo book will be released.
October 16 – “Bring it on Home,” a new biography of Led Zeppelin manager Peter Grant, will be released.

Many thanks to James Cook

The complete Led Zeppelin News email goes out every weekend. To receive it each week sign up here:http://tinyletter.com/LedZepNews

Led Zeppelin News Website: Check out the Led Zeppelin news website at

http://ledzepnews.com/

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The demise of NME…

Sad to hear today’s news that the NME is ceasing publication. I still pick up the free copy every week from the local Slide Records shop– though i guess more out of habit as it’s long since been essential reading.

It brings to a close the dynasty of the UK music weeklies as the NME along with Melody Maker, Sounds, Record Mirror and Disc were once vital reading matter with circulations in the hundreds of thousands.

I always checked out the other music weeklies (particularly the Melody Maker) but for me, the NME was always the most essential. In terms of finding about the news of your rock and pop faves, the NME had it covered.

When it came to Led Zeppelin they did a sterling job in covering the band right up to 1980.

I’ve actually been reading the NME since 1964 as there was always a copy in our house.
I started buying it in 1970 During the 1970s the NME was absolutely essential reading –not least for its coverage of Led Zep and the writings of Charles Shaar Murray, Nick Kent, Roy Carr etc.

It was when they secured the services of the aforementioned Kent and Murray from the underground press that NME really found its stride. The pair contributed some of the greatest rock writing of all time during the years 1973 -79. In depth features on the likes of Syd Barrett, Jim Morrison, Brian Wilson, Brian Jones, on the road reports with Bowie, The Rolling Stones and indeed Led Zep.

Some of their album reviews were also very memorable including Physical Graffiti, Dylan’s Blood On the Tracks, Exile on Main Street and Television’s Marquee Moon. The latter by Nick Kent spurred me to instantly purchase said album and his musings were spot on.

They were both a huge influence on my own ambitions to put pen to paper. I have been lucky enough to interview both of them for the TBL magazine and both were memorable encounters.

I have a fair few NMEs from that golden age and I often browse through them – they still hold up as definitive chronicles of the era.

In this social media driven world, it’s hard to understand how a music weekly could have such influence but the NME certainly did.

I also have all the Led Zep NME cover story issues from the first one in 1971 to the Jimmy Page cover interview story published the week of the first Knebworth in August 1979 through to 2014 with the Jimmy Page interview regarding the reissues.

Other Zep related NME links: In early 1978 Midland based punk band Dansette Damage recorded a track about the famous music weekly NME. It was recorded at the Old Smithy Studios in Kempsey, Worcestershire with Robert Plant and Zep sound man Benji Lefevre offering production and engineering assistance. Robert was billed as the Wolverhampton Wanderer and adds backing vocals at the close of the song. NME was issued as a single coupled with The Only Sound and is now a much sought after collector’s item.

In 2015 Jimmy Page was the recipient of the Rock’N’Roll Soul Award at the NME Awards staged at London’s O2 Academy in Brixton – the award was handed out by Royal Blood who were voted Best New Band.

That same year the NME stopped being a paid for paper and went to a small size freebie. The writing was on the wall…

The NME is now consigned to publishing history – and what an inspirational history it’s been.

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Bill Turnbull:

So sad to hear the story that broke yesterday of Bill Turnbull, ex-BBC Breakfast host and Classic FM DJ’s incurable prostate cancer diagnosis – but so inspired by Bill’s bravery in sharing and facing up to the devastating news …he deserves all the love and support he has received… a fantastic broadcaster and brave man…

………………………………

Russ Solomon RIP:

It was sad to hear the passing of Russ Solomon the founder of Tower Records aged 92. During the 90s the Piccadilly Tower Records store was an essential stop off on my every visit to London . Their ‘deep catalogue’ policy ensured an amazing array of stock during the CD explosion.

The store also stocked the TBL mag during that period. Great retail days they were. Tower was sold to the Virgin Megastores in 2004 and Jimmy Page inaugurated the London’s ‘Walk of Fame’ during the Virgin Megastore @ No 1 Piccadilly launch on August 23, 2004. I was working for Virgin back then and was in attendance that memorable day.

…………………………….

DL Diary Blog Update:

Friday treats at the Vinyl Barn: Don’t go out unless it’s absolutely necessary warned the weathermen – but a visit to the Vinyl Barn is always necessary and snow and sleet did not deter my fellow local TBL vinyl enthusiast Steve Livesley and myself last Friday. I was pleased to find a copy of Area Code 615’s 1970 album Trip In The Country –this contains Stone Fox Chase their them tune to The Old Grey Whistle Test..top stuff – thanks Darren!

The snow it did fall…

 

 

Last week was one of the coldness I can recall for years. The snow fell at a rapid rate and there was no chance of getting out on the bike. The walks into town to work on the book were somewhat perilous as were the ones to deliver book orders to the post office. Unsurprisingly the Floyd Effect Pink Floyd tribute band gig I was due to attend at Bedford’s Corn Exchange on Friday was postponed. Here’s the good lady and myself out and about on Saturday morning in the snow at nearby Russell Park Bedford – the snowman is one we made earlier (not). It was amazing how quickly the snow all melted during Sunday and this week thankfully it’s been a lot warmer.

I was at the local Fox & Hounds tonight to watch the Spurs v Juventus Champions League second leg tie. 1-0 up at half time all seemed to be well but two quick goals saw the tie swing to Juventus. Most disappointing as Spurs had been so in control.

Oh well – that’s football…

These past few days have seen work here on not one book project but two -aside from the ongoing work on the Evenings With LZ book, I also turned my attention to overseeing design the forthcoming photo book Led Zeppelin Live which is being published by iconic Images. this is shaping up to be a superb visual record of their latter touring era 1975 – 1977.

The full Record Store Day listing is now out – and alongside the previously much discussed Led Zeppelin Rock And Roll/Friends seven inch coloured vinyl release, there are a couple of other Zep related items lined up.The Dream Syndicate 12 inch single features John Paul Jones on lap steel guitar on a live performance of How Did I Find Myself Here. There’s also a reissue of the excellent 1965 Nico single I’m Not Sayin’ /The Last Mile produced by Jimmy Page for the Immediate label. 

The full RSD 2018 list can be viewed here:

https://recordstoreday.co.uk/releases/rsd-2018/

44 days to go and counting… 

Dave Lewis – March 7, 2018

Until next time, have a great weekend

Website updates compiled by Dave Lewis

with thanks to Gary Foy and James Cook

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The TBL/DL Facebook page has regular updates and photos – be sure to check it out.

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YouTube clip:

Robert Plant Interview clip:

A very poignant clip from what looks to be a very enlightening and moving interview…
In this clip of Robert Plant on TBI, the Led Zeppelin co-founder talks about the song “All My Love,” a song that he wrote about his son Karac who tragically died at age five. Watch Dan’s entire conversation with Robert Plant on the season 6 premiere of TBI airing Tuesday, March 13th at 9/8c only on AXS TV…

 

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One Comment »

  • Graham Rodger said:

    Nice snowman Dave… Hahaha… Did you use four sticks…? Funnily enough, i’ve had the Shepherd’s Bush 2CD (Wardour label, multitrack master) on heavy rotation lately. Where to start…? The version of “No Quarter” is amazing, no wonder it featured on the official “Shining In The Light” cd-single.

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